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迈克绿色文化日

2021年6月29日

当较少的时候:剧院可以从一年中学习慢动作

梅根狩猎文化日

7月28日,2021年

刷新:如何在Instagram重新定义艺术社区的一年

eva莫里森文化日

7月15日,2021年

\n\n\n\n**This article is part of a [special blog series](\/\/www.statestpizza.com\/en\/blog\/re-imagine-series) featuring writers and creatives from across Canada (and beyond!) with stories that both highlight and celebrate Culture Days\u2019 2021 theme, RE:IMAGINE. Explore more stories below.**\n- [The Road Less Travelled: Three artists reimagine success and career](\/\/www.statestpizza.com\/en\/blog\/the-road-less-travelled) by Linh S. Nguy\u1ec5n\n- [Reimagining Public Spaces: The Share-It-Square in Portland, Oregon](\/\/www.statestpizza.com\/en\/blog\/reimagining-public-spaces) by Laura Puttkamer\n- [Refresh: How a Year on Instagram Redefined Artistic Communities](\/\/www.statestpizza.com\/en\/blog\/refresh-artistic-communities-on-instagram) by Eva Morrison\n- [RE:PURPOSE](\/\/www.statestpizza.com\/en\/blog\/repurpose) by Mike Green\n- [Recalibrating: A Look at Opera InReach](\/\/www.statestpizza.com\/en\/blog\/recalibrating-opera-inreach) by Anya Wassenberg\n- [Reimagine\u2014How the Disability Community Accesses the Arts](\/\/www.statestpizza.com\/en\/blog\/reimagine-how-disability-community-accesses-arts) by Rachel Marks\n- [Reimagining Community and the Workplace of Theatre](\/\/www.statestpizza.com\/en\/blog\/reimagining-theatre) by Nat\u00e9rcia Napole\u00e3o\n- [Helm Studios flips the for-profit music model to empower artists](\/\/www.statestpizza.com\/en\/blog\/reimagine-helm-studios) by Aly Laube\n- [Curating _INUA_, Canada\u2019s newest Inuit art exhibit](\/\/www.statestpizza.com\/en\/blog\/curating-inua) by Carolyn B. Heller\n- [When Less is More: What Theatre Can Learn From a Year in Slow Motion](\/\/www.statestpizza.com\/en\/blog\/when-less-is-more) by Megan Hunt","content_fr":null,"should_publish_at":null,"published_at":"2021-06-29 12:49:43","first_published_at":"2021-06-17 10:05:12","deleted_at":null,"created_at":"2021-06-17 09:44:04","updated_at":"2021-07-28 10:41:27","thumbnail_file_id":null,"featured_at":null,"is_featured":false,"is_published":true,"should_publish":false,"status":"published"}" style="scroll-snap-align: start;">

运动中的艺术

Aaron Rothermund为文化日

2021年6月29日

As a Relaxed Performance Consultant, I help arts organizations to welcome members of the Disability Community to performances and spaces. And yes, a lot of the organizations I consult for are larger companies whose donors may have deeper pockets, but the people I work with aren\u2019t just ticking boxes - they want to make a real change in the arts scene in Canada. They want to re-imagine how to invite the Disability Community to participate in their work. \n\nI am often approached by smaller companies or individual artists asking how to make their work more inclusive, and honestly, small steps can be taken to begin that process. Steps that don\u2019t cost a lot, if anything at all. Erin told me that the Kingston Arts Council is \u201c\u2026making an effort to describe their photos (on social media)\u201d and, she shares, people are describing themselves in meetings. I agree. I\u2019ve noticed this myself over the last year. Prior to COVID the only meetings I attended where people gave visual descriptions of themselves (for members of the Blind and Low Vision communities) were those that were disability led. Now, it\u2019s more common\u2014at least in the arts. Emily Maxwell, Founder & Co-Director of Toronto\u2019s [The Disability Collective](https:\/\/www.thedisabilitycollective.com\/), echoes these thoughts. \u201cIt can sound like a lot and daunting, but small steps can be made until it becomes natural\u201d.\n\nIt\u2019s true, and something I always tell the people I work with. Start small, do what you can, but at the same time be honest with your community about what you are able to offer as well as what you aren\u2019t. So if you can keep the house lights at 30% and lower sound cues to 90 decibels, but can\u2019t afford an ASL\/LSQ interpreter or Audio Description, tell your audiences. Manage their expectations so that they know exactly what they can access and what they can\u2019t. Give them all the information they need prior to purchasing a ticket so that they can fully engage and participate, or know that your limitations won\u2019t allow that at this time.\n\n![](assets\/National\/blog\/reimagine-how-disability-community-accesses-arts\/f18a463c-2ef7-4e82-91ed-b29c8efcb091-original-min_ie6858.jpg)\nImage Description: Emily and Nathan are standing in a green field surrounded by grass and trees. They are leaning forward against a chain link fence and looking over the fence towards the left of the photo. Emily, a young white woman with red hair and blue eyes, is standing on the left of the photo with her arms on top of the fence. Nathan, a young white man with brown hair and blue eyes, is standing on the right of the photo with his left arm on top of the fence. They are both wearing blue denim jackets. Both have thoughtful expressions on their faces.\n\nDoes inclusion and accessibility stop at front of house? It shouldn\u2019t. What are we doing to \u201cshowcase human beings in all of their diverse beauty\u201d\u2014 a gorgeous thought by Nathan Sartore, Co-Director of The Disability Collective, a new company out of Toronto that promotes and showcases art by Disabled Artists. Art should \u201clook like what people look like\u201d, Nathan expands. \u201cAnd real people backstage too,\u201d Emily adds. Yes! As a former Stage Manager with on-again off-again mobility issues, I completely agree. How often have I arrived at a venue to find the booth inaccessible? More times than I\u2019d like to admit. And what about stage steps? How do artists who use mobility devices access a stage that doesn\u2019t have an elevator or ramp? Laura Cusack, Founder and Executive Director of the [Hummingbird Hub](https:\/\/www.hummingbirdhub.org\/) in downtown, historical Stouffville, found a way. \u201cCulture is the heart of a community. To get a community to bond, and make an impact as we grow we need to focus on the cultural arts\u201d. And that focus is brought about by their Accessible Open Mic Night. Most open mics, as we know, take place in pubs and bars that usually have stairs or aren\u2019t very inclusive. So how did a community centre in a century-old building become the centre for inclusivity in Stouffville? By engaging with their audience and community\u2014a thought echoed by each of the people I spoke with.\n\n> Ask your community what they need in order to participate. Engage in dialogue with the Disability Community and listen, without preconceived ideas, but with an open heart and mind, and a desire to breakdown barriers and include everyone. \n\n[Cassie-Hope Aubin](https:\/\/www.cassiehopeaubin.com\/), Deaf Theatre Artist, shares \u201cWe see diversity happening, which is amazing, but disability is often excluded or the at the bottom of the list.\u201d As a musical theatre performer Cassie-Hope has \u201cbeen in shows that weren\u2019t accessible, so I wouldn\u2019t have even been able to see my own show.\u201d\n\n![](assets\/National\/blog\/reimagine-how-disability-community-accesses-arts\/page-3-image-3_fvRC7l.png)\nImage Description: Taylor, a singer-songwriter in a wheelchair, wears a white t-shirt and performs at the Hummingbird Hub\u2019s Accessible Open Mic Night. A microphone on a black stand is in front of Taylor. His father, Mike, is on the right of the photo holding a guitar and wearing a green and white baseball-style shirt. A green and gold sign with \u201cHummingbird Hub\u201d and the web address is on a white wall behind them.\n\nIt\u2019s time for a change. Time to reimagine how we present, access, and create art. It\u2019s time to relax not only performances, but also processes. Reach out to the d\/Deaf and Disability communities, ask what they need to be included both onstage and off, engage disabled creatives, bring their voices to the stage and share their stories in open and honest ways. This is an exciting time of reflection. We are being allowed time to think about how we want to move forward\u2014and it\u2019s time to include every voice in that discussion.\n\n\n\n\n**This article is part of a [special blog series](\/\/www.statestpizza.com\/en\/blog\/re-imagine-series) featuring writers and creatives from across Canada (and beyond!) with stories that both highlight and celebrate Culture Days\u2019 2021 theme, RE:IMAGINE. Explore more stories below.**\n- [The Road Less Travelled: Three artists reimagine success and career](\/\/www.statestpizza.com\/en\/blog\/the-road-less-travelled) by Linh S. Nguy\u1ec5n\n- [Arts in Motion](\/\/www.statestpizza.com\/en\/blog\/arts-in-motion) by Aaron Rothermund\n- [Reimagining Public Spaces: The Share-It-Square in Portland, Oregon](\/\/www.statestpizza.com\/en\/blog\/reimagining-public-spaces) by Laura Puttkamer\n- [Refresh: How a Year on Instagram Redefined Artistic Communities](\/\/www.statestpizza.com\/en\/blog\/refresh-artistic-communities-on-instagram) by Eva Morrison\n- [RE:PURPOSE](\/\/www.statestpizza.com\/en\/blog\/repurpose) by Mike Green\n- [Recalibrating: A Look at Opera InReach](\/\/www.statestpizza.com\/en\/blog\/recalibrating-opera-inreach) by Anya Wassenberg\n- [Reimagining Community and the Workplace of Theatre](\/\/www.statestpizza.com\/en\/blog\/reimagining-theatre) by Nat\u00e9rcia Napole\u00e3o\n- [Helm Studios flips the for-profit music model to empower artists](\/\/www.statestpizza.com\/en\/blog\/reimagine-helm-studios) by Aly Laube\n- [Curating _INUA_, Canada\u2019s newest Inuit art exhibit](\/\/www.statestpizza.com\/en\/blog\/curating-inua) by Carolyn B. Heller\n- [When Less is More: What Theatre Can Learn From a Year in Slow Motion](\/\/www.statestpizza.com\/en\/blog\/when-less-is-more) by Megan Hunt","content_fr":null,"should_publish_at":null,"published_at":"2021-06-29 10:39:13","first_published_at":"2021-06-23 11:06:32","deleted_at":null,"created_at":"2021-06-21 13:19:19","updated_at":"2021-07-28 10:40:28","thumbnail_file_id":null,"featured_at":null,"is_featured":false,"is_published":true,"should_publish":false,"status":"published"}" style="scroll-snap-align: start;">

reimagine-残疾社区如何访问艺术

文化日的rachel标志

2021年6月29日

Exhibiting my work has proven to be a great tactic (ice breaker), when inviting members of the public to participate in open dialogues, whether it be about art or more pressing matters such as activism or the current social climate. This includes connecting with new artists, reaching out to members of the community as well as other like-minded creators, all coming together for a common cause.\n\nDue to the restrictions caused by the pandemic, social media has become a primary source and powerful platform with few limitations when connecting to a wide range of audiences. This can be a pleasant form of communication, offering the opportunity to cultivate alternative perspectives or critiques between individuals that are keen on pushing boundaries on every level, granting me the opportunity to provide more insight into my goals as a creator and activist.\n\nI highlight the importance of strength in unity, for example, reflecting on moments within the George Floyd protests when white protestors created physical barriers between Black protesters and law enforcement, chanting \u201cBlack Lives Matter\u201d. This gesture alone signified that the first step to becoming an advocate is acknowledgment. Acknowledgment of the global issues surrounding race, colourism, State violence against minorities, or the social inequality that has shattered communities for decades, while being open to having uncomfortable discussions that can lead to necessary, massive changes within our communities. Acknowledgment is an active pillar to every conversation regarding race and the first step to becoming an advocate.\n\nIn conclusion, an advocate should not wait to be invited to the conversation. The conversation has been active throughout history and will continue far into the future. Simply pull up a chair at the table and jump right into the discussion, there\u2019s plenty of room.\n\n![](assets\/National\/blog\/make-room-for-alia-peoples\/thumbnail-image3-2_Puv0Uw.jpg){.pull .right}\n\n**How has the role of community (however you choose to define \u2018community\u2019) impacted your arts practice?**\n\nMy community has acted as a support system throughout my career as a creator, encouraging my artistic drive, passion towards developing meaningful creations and self-expression, no matter the direction or manner I choose to conduct them in. It\u2019s the safety net that allows me to freely convey my truths without fear of judgment or non-acceptance by others.\n\nCommunity is a source of inspiration that has impacted my life in many ways. For example, I love engaging in enlightening conversations with strong female friends, who collectively support one another and encourage me to always speak my truth, no matter the outcome. I\u2019m also inspired by my family members, such as my brother and role model, Mohammed G\u00f6ess Peoples. Mohammed's form of creative expression in giving back to the community was to establish a BLM Zoom platform along with his friend and co-founder, Ikram Aslam. It serves as a safe space for members to share everyday experiences regarding race that have affected them personally and work together towards achieving social reform. Guest speakers from various educational backgrounds, including psychology, join the discussions and shed light on urgent topics such as maintaining mental health during the pandemic and much more. \n\n**What\u2019s next for you creatively?**\n\nCreatively speaking, I plan to place more energy into larger-scaled projects. As a child I found myself sticking to small but detailed doodles due to an inward discomfort or unease with being in my own skin. Over time my artwork has evolved from shy and polite to loud and confident and continues to grow. I\u2019m eager and looking forward to showcasing more of my work in the near future.\n\n**Where can people go to see what you\u2019re working on and keep up with your creative output?**\n\nInstagram: [@Aliagpeoplesart](https:\/\/www.instagram.com\/aliagpeoplesart\/?hl=en)\n\n\n\n**This article is part of a special series shouting-out new or rising artists creatives, and\/or collectives from across the country that should be on your radar. Explore more profiles below:**\n- [Make Room For... Creato](\/\/www.statestpizza.com\/en\/blog\/make-room-for-creato)\n- [Make Room For... Desmond Tompkins](\/\/www.statestpizza.com\/en\/blog\/make-room-for-desmond-tompkins)","content_fr":null,"should_publish_at":null,"published_at":"2021-04-19 10:31:12","first_published_at":"2021-04-16 15:22:56","deleted_at":null,"created_at":"2021-04-14 11:45:10","updated_at":"2021-04-22 09:59:58","thumbnail_file_id":null,"featured_at":null,"is_featured":false,"is_published":true,"should_publish":false,"status":"published"}" style="scroll-snap-align: start;">

腾出空间...... Alia G. Peoples

文化日x alia g.民族

2021年4月19日

As Latinx creatives in the arts and culture sector, we often experience social, individual, and collective barriers that follow us as we live, work, and create in Canada. Language and other cross-cultural barriers, harmful concepts around tokenism and stereotyping, and disproportionate access to resources are found at every corner of the art world and creative industries. Yet, as artists, we look for ways to challenge these concepts through creativity, resilience, and by making space for our individual, collective and multi-generational self-representation.\n\nBeing Latinx and creating in Canada means being influenced by vibrant flavours, colours, stories, and finding ways to bring them into foreign spaces. It means constantly asking yourself _Where do I belong? Where is home? Can I ever truly be part of, and embrace, my heritage? How?_ It sometimes means cooking food that reminds you of family and home because you need a warm embrace. It means looking for others who ask the same questions. It means finding unity in a commitment to make Latinx creative voices loud, and our multiple and intersectional identities seen. \n\n**How are you building community amidst the pandemic?**\n\nBuilding community during these times has been both a challenge and an opportunity to get creative. Given that Creato emerged in\u2014and greatly because of\u2014the pandemic, we have experimented so far with all virtual community-building initiatives. \n\nAt the moment, we mostly communicate through the online messaging platform Slack in order to connect and get to know each other. We have a wide range of channels within Slack so we talk about everything from job opportunities, events, and resources to sharing recipes, memes, or the latest Bad Bunny drop. It really is a space that a lot of us were missing in our lives and has become the center of where our community is connecting. \n\n![](assets\/National\/blog\/make-room-for-creato\/creato-banner-tweet_mmhcTl.png)\n\n**Tell us about some of the events and\/or initiatives you\u2019ve put together so far.**\n\nApart from our Slack community, which really has been the nucleus for engagement, we organize virtual hangouts every 2 weeks where anyone is welcome to join. Each and every hangout has left us with a huge smile on our faces and our hearts totally full. The calls started as a way to simply put faces to those taking part in online discussions, and now we\u2019ve been setting themes for the calls to help prompt deeper conversations and sharing resources or experiences. We like to say that these hangouts are go-with-the-flow-type of vibe, where we end up revealing weirdness, vulnerabilities, and hilarious stories. Friendships and bonds have formed instantly, and even though we can't wait to do it in person, these calls have been an amazing way to connect with each other.\n\nA huge part of Creato\u2019s mission is to give Latinx creatives in Canada more visibility. Currently, there are very few places where you can find or discover the great talent within our communities, so we are using [Instagram](https:\/\/www.instagram.com\/crea_to_\/) to feature artists on a regular basis; who they are, what they\u2019re about, and samples of their work. Go check them out, they will blow your mind! \n\nWe also have a firm belief that creators in our community don't only need to be seen, but paid. With this in mind, we created a holiday market or \u201cMercadito\u201d guide on Instagram, featuring artists that have beautiful creations for sale. We plan to do more of these in the future on a bigger scale. \n\n**What has surprised or delighted you most about Creato?**\n\nThis whole journey has been a surprise for me. The support and response from the community have been incredible and the constant reassurance that this space is needed is really our biggest motivation\u2014people are excited and happy to help this community grow! So many have found comfort and support with Creato, both on a personal and professional level. There are a number of people in our community who have lost their jobs due to the pandemic, others who are newcomers or even students still in or fresh out of school, and we are all doing our part in giving advice or opening doors when possible. We\u2019ve also felt an amazing sense of belonging and connection in the little things like sharing music, recipes, and anecdotes that connect us to each of our roots. \n\nPersonally, this has brought an immense sense of self-worth and purpose that I hadn't felt in a very long time. I love what I do for work, but when your 9 to 5 is the only creative work you\u2019re producing, it\u2019s easy to forget that you are worth more than just your job\u2014which can be pretty deflating at times. Building Creato has been that thing I\u2019ve been searching for without knowing. It\u2019s the intersection of 3 things I\u2019m so deeply passionate about: creativity, community work, and my Latinx identity, and I couldn't be more proud and happy spending my 5 to 9 on this.\n\n**What\u2019s up next for Creato? What goals do you hope to see the group accomplish in the future?**\n\nCreato\u2019s future is looking bright and powerful, just like our gente. As we\u2019ve said, we are a growing community, so self-discovery and ongoing development are crucial for us. We have been working on new community-driven programs, campaigns, and events with the goal of providing tools and learning opportunities to Latinx creatives so they can fully express their creative voices, challenge dominant culture, and maintain a sustainable and rewarding arts practice. We dream to one day have a physical space where artists, creative entrepreneurs, and any Latinx creator can showcase their work. However, for now, we have a very exciting virtual line-up for the year! \n\nIn line with our mission to build on Latinx self-visibility in the arts, we are developing a Latinx Directory of Creatives in Canada - an online database featuring creatives from across disciplines who identify as Latinx \/ Latine. We hope the directory will make collaboration amongst creatives more accessible while shedding light on the work Latinx creatives across Canada do. \n\nWe\u2019ll be launching a mentorship program later in the year with the hopes of better supporting emerging youth artists with arts entrepreneurship tools as they begin their professional arts practices. We also have a very special event lined up for Latinx heritage month (wink wink, October). We don\u2019t want to reveal too much right now but stay tuned for details \u2018cause it's going to be lively and of course, uniquely Latinx. \n\n**Where can other Latinx creatives in Canada find you?**\n\n[Crea-to.com](https:\/\/www.crea-to.com\/) where you can sign up for our upcoming newsletters, our Instagram [@crea_to_](https:\/\/www.instagram.com\/crea_to_\/) or you can always drop us a line at .\n\n_Acknowledgment:_ \nAs a Latinx community made up of distinct cultures shaped by complex historical relations of power, we are in the process of learning more about how we can acknowledge the historical oppression of lands, cultures, and Peoples, as we are committed to challenging the legacies of colonialism. We are forever grateful to be able to create and build community across Indigenous territories in the land that we now know as Canada. Creato is based in the city now known as Toronto, but remains Treaty Lands and Territory of the Mississaugas of the Credit, and the traditional territory of many peoples and nations including the Anishinabeg, the Haudenosaunee, and the Wendat peoples.\n\n\n\n**This article is part of a special series shouting-out new or rising artists creatives, and\/or collectives from across the country that should be on your radar. Explore more profiles below:**\n- [Make Room For... Desmond Tompkins](\/\/www.statestpizza.com\/en\/blog\/make-room-for-desmond-tompkins)\n- [Make Room For... Alia G. Peoples](\/\/www.statestpizza.com\/en\/blog\/make-room-for-alia-g-peoples)","content_fr":null,"should_publish_at":null,"published_at":"2021-02-16 10:46:22","first_published_at":"2021-02-12 15:18:12","deleted_at":null,"created_at":"2021-02-12 15:11:04","updated_at":"2021-04-19 21:46:59","thumbnail_file_id":null,"featured_at":null,"is_featured":false,"is_published":true,"should_publish":false,"status":"published"}" style="scroll-snap-align: start;">

腾出空间...疯狂

文化日X Fiorella Martinez

2021年2月16日

进入过程(第2部分,共5部分):Bambi

Tamar Tabori.

2020年9月21日

Early on I must have seemed like some ultra-persistent grade school child to staff at the Canadian Light Source, which in some ways isn\u2019t that far off, I try to keep in touch with that curious grade 5-6 kid as part of my art practice. \n\nIn 2016, Fransaskois new media artist and sculptor, [Jean-S\u00e9bastien Gauthier](https:\/\/jsgauthier.com\/) (hereinafter referred to as \"JS\"), signed up for a tour of the [Canadian Light Source](https:\/\/www.lightsource.ca\/) (CLS)...and then another, and another...until he was convinced he wanted to make art using the CLS. \n\nThe CLS is a national research facility, one of the largest science projects in our country\u2019s history, producing the brightest light in Canada\u2014millions of times brighter than even the sun\u2014used by more than 1,000 scientists from around the world every year in ground-breaking health, environmental, materials, and agricultural research.\n\n![Digital render mixing 3D scans, CT scans and 3D synchrotron radiation microCT data (2017).](assets\/National\/blog\/artist-scientist-light\/6-sample-and-hold_rBIGyc.jpeg){.small}\n\nThe synchrotron operates by accelerating streams of electrons to 99.99 per cent of the speed of light, fast enough to reach the moon in 1.3 seconds. Giant magnets bend the electron beam, creating a light millions of times brighter than the sun. When directed down beamlines, that light enables scientists to do analysis of physical samples such as plants and engine oil that is more detailed than with any other process, as well as to create images of structures at the molecular level.\n\nTo gain entry to this very exclusive instrument (there are only 40 synchrontons in the world and only one in Canada) JS realized he needed a partner, someone with inside access. He wrote a call for collaborators that was published in the CLS newsletter. Somewhat surprisingly he received numerous replies, but Dr. Brian Eames' response stood out.\n\n[Dr. Brian Eames](http:\/\/eameslab.ca\/) is a researcher at the University of Saskatchewan, College of Medicine, in the Department of Anatomy, Physiology, and Pharmacology, who uses the CLS, imaging techniques, and molecular approaches to study how cells turn into bone and cartilage. \n\nAll it took was one meeting over coffee, where they shared concepts on evolutionary biology and spitballed ideas for using the synchrotron to explore evolution, and they knew they could develop an exceptional collaboration. JS regularly visited Brian\u2019s lab where they continuously discussed intersecting interests and possibilities. Based on their talks, JS drafted grant applications, one of which was accepted by Canada Council for the Arts.\n\n![JS and Dr. Brian Eames looking over the synchrotron.](assets\/National\/blog\/artist-scientist-light\/bio-image-brian-js-1_n0UA3B.jpeg){.overflow}\n\nSince 2017 JS has served as the Artist-in-residence at the Department of Anatomy, Physiology, and Pharmacology, at the University of Saskatchewan and facilities of the CLS synchrotron. No other artist has been granted research time at the CLS with artistic inquiry and aesthetic experimentation as the primary objective. \n\n> Art and science are natural collaborators. In the same way that art alters a perspective, or provides an unexpected revelation, so does science...\n\nCutting-edge 3D synchrotron radiation imaging techniques were used to create an immersive video installation, [_Dans la Mesure\/Within Measure_](https:\/\/vimeo.com\/235157911), which explores developmental biology, evolution, and the complex unity between humans and other life forms (specifically zebrafish, tiny and robust model organisms often used in genetic medical research.) \n\nAnd their collaboration continues. In 2019, JS and Brian created an interactive piece for Nuit Blanche (which was shown at the U of S campus and downtown Saskatoon.) [_Our Glass_](https:\/\/jsgauthier.com\/our-glass) engages viewers of all ages to peer within an hourglass, showing how embryonic development compares among animals with whom we share a close genetic heritage. \n\n![_Still Life_ (after Ernst Haeckel), JS Gauthier, 2017.](assets\/National\/blog\/artist-scientist-light\/04-xrayhaekel-jsg-2017-5x7-72-1-copy_SjYQ87.jpeg){.overflow}\n\nJeff Cutler, past CLS Chief Strategic Relations officer had this to say, \u201cArt and science are natural collaborators. In the same way that art alters a perspective, or provides an unexpected revelation, so does science. Researchers from around the world come to our light source in order to see things differently, and their findings often change how we look at the world. It\u2019s this search for a new way of seeing things that brings art and science together, and that\u2019s why it\u2019s important for us to work with artists like JS. Not only does his work introduce the CLS to a new audience, but he has also challenged us to see our own work differently.\u201d\n\nStay tuned for more as JS continues to redefine contemporary art practices through research, technology, and building bridges across disciplines and people... he recently bought a VR (virtual reality) helmet!\n\n\n\n**This article is part of a special blog series featuring writers and creatives from across Canada with stories that both highlight and celebrate Culture Days\u2019 2020 theme of Unexpected Intersections. Explore more intersections below:**\n\n- Theatre x Sport: [_Until the Lights Go Out_ by Taylor Basso](\/\/www.statestpizza.com\/en\/blog\/until-the-lights-go-out)\n- Indigenous Storytelling x Digital Media: [_\u201cPeople are Finally Listening\u201d\u2013Indigenous Animation Rises Up_ by Chris Robinson](\/\/www.statestpizza.com\/en\/blog\/indigenous-animation-rises-up)\n- Academia x Creativity: [_Building 21: Make zines, not research papers_ by Greta Rainbow](\/\/www.statestpizza.com\/en\/blog\/building-21)\n- Poetry x (Natural) Environment: [_Listen to the River: An Ode to the Columbia River_ by Saba Dar](\/\/www.statestpizza.com\/en\/blog\/listen-to-the-river)\n- Teahouse x Activism: [Chinatown's Living Room: _The gathering place for a budding activist community_ by Anto Chan](\/\/www.statestpizza.com\/en\/blog\/tea-base)\n- Traditional Craftsmanship x Youth Outreach: [_At the Maritime Museum of the Atlantic, They Build More Than Boats_ by Aleen Leigh Stanton](\/\/www.statestpizza.com\/en\/blog\/building-boats-changing-lives)\n- Book Clubs x Digital Landscapes: [_Strangers and Fiction_ by Anne Logan](\/\/www.statestpizza.com\/en\/blog\/strangers-and-fiction)","content_fr":null,"should_publish_at":null,"published_at":"2020-08-18 14:11:09","first_published_at":"2020-06-10 16:39:35","deleted_at":null,"created_at":"2020-06-10 16:24:34","updated_at":"2020-09-29 15:26:18","thumbnail_file_id":null,"featured_at":null,"is_featured":false,"is_published":true,"should_publish":false,"status":"published"}" style="scroll-snap-align: start;">

当你混合艺术家,科学家和一个非常明亮的光线时会发生什么?

vivian orr文化日

2020年8月18日

_They know this River will still be here long after we have turned to nuclear dust and blown away, saith the river..._\n>> -_Beholden: A poem as long as the river_, Rita Wong and Fred Wah\n\nRolling from one valley to another, streaming across coarse contours, sometimes surrendering to the whims of winds and pouring rain, other times cutting through the rock-ribbed plains; rivers have always made the most enchanted neighbourhoods. A river\u2019s ample bosom has cradled pioneering civilizations and nurtured childhood memories. Its panoramic views have kindled weary eyes and inspired grandiose dreams, and through centuries its gentle ripples have concocted timeless fables of love and romance. By the virtue of their romantic allure, rivers have always been a recurring theme in poetry and literature.\n\nWhile artists have always, liberally and quite blatantly, borrowed from nature; they have also been moved, time and again, to devote their craft to salvage the very landscapes that enriched their imagination. [_River Relations: A Beholder\u2019s Share of the Columbia River_](http:\/\/www.riverrelations.ca\/), an artistic investigation by a group of creatives from Emily Carr University of Art and Design (ECUAD), is one such venture that delves into the destruction inflicted upon by the \u2018damming and development\u2019 of the Columbia River, in the wake of the renegotiation of the Columbia River Treaty.\n\nRising in the clear waters of the Columbia Lake in B.C. and surging through glaciated Canadian Rocky Mountains, the Columbia River flows through the Kootenay River\u2014the river\u2019s largest tributary on the Canadian divide of the border. It enters the U.S. at the confluence of Pend d\u2019Orielle River in the Washington state, before conclusively disappearing into the Pacific Ocean near Astoria, Oregon. Columbia River is a water wonderland, flowing with ferocious abundance, making it the largest river in North America\u2019s Pacific Northwest region, and a sanctuary for the largest salmon runs in the world.\n\n![The Columbia River. Photo Courtesy of Fred Wah.](assets\/National\/blog\/listen-to-the-river\/columbia-river-fred-wah-1_avhEyr.jpeg){.overflow}\n\nModern civilization has turned rivers into economic powerhouses, plugging them with gargantuan concrete structures to harness hydroelectric power and divert water for irrigation. The Columbia River was subjected to a similar fate, transforming its free-flowing bliss into a curse. A violent flooding spell in 1948 that wrecked the Fraser Valley in B.C, Canada, and the town of Vanport in Oregon, U.S. became the impetus for securing a cooperative development between the two countries. The talks sought to regulate water flows and to capitalize on the river\u2019s enormous hydroelectric capacity, finally culminating into a formal [_Columbia River Treaty (CRT)_](https:\/\/www.canada.ca\/en\/environment-climate-change\/corporate\/international-affairs\/partnerships-countries-regions\/north-america\/canada-united-states-columbia-river.html) in 1964. Canada committed to build three water storage reservoirs in exchange for an upfront payment of $64 million in recompense for extending sixty years of flood control to U.S., in addition to receiving one-half of the estimated hydro-power generation benefits to the U.S, on continual basis. Today, CRT is upheld as a successful example of two countries \u2018sharing the benefits\u2019 through a collaborative transboundary arrangement. Yet, the ramifications the treaty had on the Indigenous peoples and the river\u2019s salmon reserve have become a despicable addendum to the treaty.\n\nThe _River Relations_\u2019 team scrutinized historical and contemporary images of the Columbia River to understand the evolution of its landscape, outrageously interrupted by dams. The most notable output of the project is the image-text poem, published in the form of a book, entitled [_\u2018Beholden: A poem as long as the river\u2019_](https:\/\/talonbooks.com\/books\/beholden), composed by [Fred Wah](https:\/\/fredwah.ca\/), a former Canadian Parliamentary Poet Laureate and [Rita Wong](https:\/\/www.poetryinvoice.com\/poems\/poets\/rita-wong), a poet and an environmental activist.\n\n![Revelstoke Dam, B.C. Artwork by Nick Conbere and Photography by John Holmgren.](assets\/National\/blog\/listen-to-the-river\/revelstokedamreservoir-1_bi2Kz3.jpeg){.overflow}\n\nWah and Wong travelled the entire river stretch, from Canal Flats in the East Kootenay all the way to Fort Astoria, Oregon as a part of their research for the book. \u2018Having lived along the Kootenay River for much of my life I had always felt that the river should be called the Kootenay; that the Columbia was really just a tributary of the Kootenay\u2019, says Wah.\n\nWah believes that the treaty insolently disregarded the \u2018spiritual value\u2019 attributed to the river\u2019s salmon by the First Nations. To them, salmon is the \u2018harbinger of good news\u2019, revered as a gift from the salmon king. They believed that the salmon were actually humans, and at the start of each salmon season, they would transform into fish form on the king\u2019s command. They also celebrated the \u2018First Salmon Ceremony\u2019 to mark the beginning of each salmon season. Even today, certain tribes celebrate \u2018Salmon ceremonies\u2019 with a communal prayer for the salmon to return and inhabit the river again.\n\nThe loss of salmon has chronicled a poignant chapter in the river\u2019s history. Wong was swamped with emotions when she watched Upstream Battle (a documentary by Ben Kempas) \u2018One moment that always stays with me from that film is footage of salmon trying to swim upstream to return to their spawning grounds - and hitting a dam, and trying over and over to get beyond that obstacle - it\u2019s a heart wrenching glimpse into the painful destruction wrought by megadams.\u2019\n\nBeholden is a reflection on the devastation brought on by the damming of the river and focuses on themes of colonization, indigenous rights and mutilation of the river\u2019s ecology. \u2018Most of the language in the poem comes from a struggle between simply describing the river, (..) and finding ways to \u201clisten\u201d to the river\u2019. It was Wah who proposed to write \u2018a poem as long as the river\u2019, in collaboration with Wong. \u2018With him writing along one side, and me along the other, the words came from our experiences along the river\u2019, Wong reminisces about the poem\u2019s origins. \u2018Each of us would write along a shore of the river, from beginning to end, occasionally having our texts cross the river at bridges or dams. Rita\u2019s and my texts were not in conversation as they were written, but, finally, feel tethered to a similar poetic impulse and imagination\u2019 explains Wah.\n\n![Book cover, _Beholden: A poem as long as the river_, illustrations by Nick Conbere and cover image by Genevieve Robertson.](assets\/National\/blog\/listen-to-the-river\/beholden-book-cover-1_bB7z2B.jpeg){.pull .right}\n\nJust like Wah, Wong also let the river \u2018speak to\u2019 her and guide her writing process. \u2018Near the headwaters of the river, I made an offering and asked the river for permission to share the words arising from my journeys along it. I listened and keep listening.\u2019\n\nNick Conbere, a visual artist and an Associate Professor at ECUAD, [skillfully transcribed Beholden on a 114 feet long map of the Columbia River](http:\/\/www.nickconbere.com\/river-relations.html), with Wah and Wong\u2019s share of poems meandering along the river, as if two tributaries spiraling the entire stretch of the river. The poem\u2019s two halves are distinctly recognizable, as Wah\u2019s half has been typeset whereas Wong\u2019s is handwritten, a decision she consciously made. \u2018I felt it was important to stay with the bodily experience of writing by hand and following the river\u2019s contours. It felt closer to the experiential aspect of being along the river (\u2026)\u2019 While the book was shortlisted for the B.C Book Prize, the poem\u2019s winding digital image has been showcased at numerous art exhibitions.\n\n![Rita Wong and Fred Wah, _Beholden: a poem as long as the river_. The Gallery Installation. Photo by Touchstones Nelson Museum.](assets\/National\/blog\/listen-to-the-river\/gallery-installation-1_H8ib2Z.jpeg){.overflow}\n\nAs the two countries renegotiate the Treaty, uncertainty abounds. Would the revision of the Treaty offer a second chance at reviving all that is lost? Only time can tell. Wong reminds us \u2018There are ways to use the land that help to regenerate or heal it \u2026 (the way) Indigenous peoples coexisted with what was here - taking care of it rather than exhausting it\u2019.\n\nToday, many artists romanticize nature as well as assume an advocate\u2019s mantle. Wong believes one way the artists can solicit support for environmental issues is by dwelling on \u2018how to heal our relations with the land and water\u2019, and by imploring the society \u2018to actually care about this\u2019.\n\nThe project has drawn to a close, and the artists have moved on to explore further avenues of nature advocacy. For as long as there is heartache for all that has been lost, I\u2019ll quote Wah;\n\n> _Let\u2019s reach for solace of water to find some deep pool of larger memory that will float us past Savage Island_.\n\n\n\n\n**This article is part of a special blog series featuring writers and creatives from across Canada with stories that both highlight and celebrate Culture Days\u2019 2020 theme of _Unexpected Intersections_. Explore more intersections below:**\n\n- Theatre x Sport: [_Until the Lights Go Out_ by Taylor Basso](\/\/www.statestpizza.com\/en\/blog\/until-the-lights-go-out)\n- Indigenous Storytelling x Digital Media: [_\u201cPeople are Finally Listening\u201d\u2013Indigenous Animation Rises Up_ by Chris Robinson](\/\/www.statestpizza.com\/en\/blog\/indigenous-animation-rises-up)\n- Academia x Creativity: [_Building 21: Make zines, not research papers_ by Greta Rainbow](\/\/www.statestpizza.com\/en\/blog\/building-21)\n- Teahouse x Activism: [_Chinatown\u2019s Living Room: The gathering place for a budding activist community_ by Anto Chan]( \/\/www.statestpizza.com\/en\/blog\/tea-base)\n- Traditional Craftsmanship x Youth Outreach: [_At the Maritime Museum of the Atlantic, They Build More Than Boats_ by Aleen Leigh Stanton](\/\/www.statestpizza.com\/en\/blog\/building-boats-changing-lives)\n- Visual Arts x Science: [_What happens when you mix an artist, a scientist and a very bright light?_ by Vivian Orr](\/\/www.statestpizza.com\/en\/blog\/artist-scientist-light)\n- Book Clubs x Digital Landscapes: [_Strangers and Fiction_ by Anne Logan](\/\/www.statestpizza.com\/en\/blog\/strangers-and-fiction)","content_fr":null,"should_publish_at":null,"published_at":"2020-07-08 13:21:08","first_published_at":"2020-06-04 16:58:40","deleted_at":null,"created_at":"2020-06-04 16:19:23","updated_at":"2020-09-29 15:25:40","thumbnail_file_id":null,"featured_at":null,"is_featured":false,"is_published":true,"should_publish":false,"status":"published"}" style="scroll-snap-align: start;">

听河:哥伦比亚河的颂歌

SABA DAR供文化日

7月8日,2020年7月8日

\n\n\n**This article is part of a special blog series\u2014running March-September\u2014featuring writers and creatives from across Canada with stories that both highlight and celebrate Culture Days\u2019 2020 theme of _Unexpected Intersections_. Explore more intersections below:**\n\n- Theatre x Sport: [_Until the Lights Go Out_ by Taylor Basso](\/\/www.statestpizza.com\/en\/blog\/until-the-lights-go-out)\n- Indigenous Storytelling x Digital Media: [_\u201cPeople are Finally Listening\u201d\u2013Indigenous Animation Rises Up_ by Chris Robinson](\/\/www.statestpizza.com\/en\/blog\/indigenous-animation-rises-up)\n- Poetry x (Natural) Environment: [_Listen to the River: An Ode to the Columbia River_ by Saba Dar](\/\/www.statestpizza.com\/en\/blog\/listen-to-the-river)\n- Teahouse x Activism: [_Chinatown\u2019s Living Room: The gathering place for a budding activist community_ by Anto Chan]( \/\/www.statestpizza.com\/en\/blog\/tea-base)\n- Traditional Craftsmanship x Youth Outreach: [_At the Maritime Museum of the Atlantic, They Build More Than Boats_ by Aleen Leigh Stanton](\/\/www.statestpizza.com\/en\/blog\/building-boats-changing-lives)\n- Visual Arts x Science: [_What happens when you mix an artist, a scientist and a very bright light?_ by Vivian Orr](\/\/www.statestpizza.com\/en\/blog\/artist-scientist-light)\n- Book Clubs x Digital Landscapes: [_Strangers and Fiction_ by Anne Logan](\/\/www.statestpizza.com\/en\/blog\/strangers-and-fiction)","content_fr":null,"should_publish_at":null,"published_at":"2020-06-15 09:22:06","first_published_at":"2020-06-04 15:01:52","deleted_at":null,"created_at":"2020-06-04 11:56:37","updated_at":"2020-09-29 15:25:27","thumbnail_file_id":null,"featured_at":null,"is_featured":false,"is_published":true,"should_publish":false,"status":"published"}" style="scroll-snap-align: start;">

建议21:制作Zines,而不是研究论文

Greta Rainbow为文化日

2020年6月15日

符合我们的组织者:GANANOQUE的艺术炸弹节

文化日

3月21日,2020年3月21日

We're introducing sports people to theatre, and theatre people to sports\u2014and then there's people like us, who are in between, who can understand both worlds and love it.\n\nOn a summer night in 2008, at the corner of Queens Quay West and Bathurst in Toronto, six figures meet to play basketball. It's a weekly tradition: every Monday night at 10 pm, they meet here and shoot hoops until the lights at the court go out. The instigator was Richard Lee, who sent an email to fellow actors with an offer of a weekly game, held on Mondays\u2014the night the theatre is dark. Now, 12 years later, the tradition lives on through an innovative stage production: [_Monday Nights_](https:\/\/6thmancollective.wordpress.com\/).\n\n![2020 PuSh Festival, Anvil Centre, New Westminster, BC. Sarah Race Photography.](assets\/National\/blog\/until-the-lights-go-out\/monday-nights-1-credit-sarah-race-photography-1_7ZKtvW.jpeg)\n\n_Monday Nights_ was developed as part of the [Theatre Centre Residency Program](http:\/\/theatrecentre.org\/?p=1322) and saw its world premiere in Toronto in 2014, with subsequent runs in 2015 (to coincide with Toronto hosting the Pan American Games), 2017 and 2019. Most recently, it was mounted in New Westminster, BC, as part of the 2020 [PuSh International Performing Arts Festival](https:\/\/pushfestival.ca\/).\n\n\"As you grow up, you stop playing and you do adult things. You're working, you're paying bills, you're starting a career, you're trying to find love,\" says Byron Abalos. He and the other members of the [6th Man Collective](https:\/\/www.facebook.com\/pg\/6thmancollective\/posts\/?ref=page_internal)\u2014veterans of the Monday night games\u2014hoped to put that conundrum to bed by adapting their weekly tradition to the stage.\n\nWhat does a pick-up basketball game look like as a piece of theatre? Upon entering the theatre, retrofitted into a makeshift basketball court, audience members are instructed by a \"referee\" (a performer in the production who acts as a guide of sorts) to choose from among the four sports bags. Each bag represents a \"team captain,\" whose journey they'll follow through the rest of _Monday Nights_. For the first half of the show, they listen to audio on headsets about their captain's personal story, as the performers run through basketball drills to teach them the rules of the game. Each captain's story is autobiographical, based on the performers in the collective; Abalos's story reflects his and his wife's attempts to conceive a child via in-vitro fertilization, for example.\n\n![2020 PuSh Festival, Anvil Centre, New Westminster, BC. Sarah Race Photography.](assets\/National\/blog\/until-the-lights-go-out\/monday-nights-4-credit-sarah-race-photography-1_uygO2V.jpeg)\n\nAround half-time, audience members join performers for a game of three-on-three. The stakes are unspeakably high: \"The captain of the team with the fewest points has to do the laundry of the other captains,\" after the show, Abalos admits. The show ends with performers and audience members continuing the Monday night tradition: sinking baskets until the lights go out.\n\n\"It's a journey from individual to community,\" Abalos explains. Audience members start as individuals, before coming together as competing teams, before ultimately forming a larger group. This unification is evident in the disparate audience members who come out to experience _Monday Nights_. \"It's often people who are not sports people, who hated gym in high school, who leave saying, 'Wow, that moved me and I understand sport in a different way than I did before.'\"\n\nSimilarly, he says, the show has attracted athletes who aren't necessarily predisposed to a night at the theatre. \"We had a father who brought his son, a teenager. This was the first piece of theatre they'd ever seen. There's something about the appeal of the sports part of it that made them curious enough to come on down. We're introducing sports people to theatre, and theatre people to sports\u2014and then there's people like us, who are in between, who can understand both worlds and love it.\"\n\n![2020 PuSh Festival, Anvil Centre, New Westminster, BC. Sarah Race Photography.](assets\/National\/blog\/until-the-lights-go-out\/monday-nights-2-credit-sarah-race-photography-1_6mvl9d.jpeg)\n\nWhat are the commonalities between art and sport that makes the fusion so uplifting? \"Camaraderie, being in our bodies, competition, a chance to connect with each other as people,\" Abalos says. \"\\[Both art and sport] connect us to each other and help us to put ourselves in situations, to build empathy, to create community and to leave us better.\"\n\n_Monday Nights_ recently finished its West Coast dates, and life is back to normal. The sporting spirit remains high in Toronto with the Raptors as sitting NBA champs. Byron and his wife dote on their baby, now seven months old. And, 12 years later, the Monday night gang still gets together to play basketball. The only difference? \"We play on Saturday mornings\u2026 because we're all older and it works better for our schedules.\"\n\n\n\n**This article is part of a special blog series\u2014running March-September\u2014featuring writers and creatives from across Canada with stories that both highlight and celebrate Culture Days\u2019 2020 theme of _Unexpected Intersections_. Explore more intersections below:**\n- Indigenous Storytelling x Digital Media: [_\u201cPeople are Finally Listening\u201d\u2013Indigenous Animation Rises Up_ by Chris Robinson](\/\/www.statestpizza.com\/en\/blog\/indigenous-animation-rises-up)\n- Academia x Creativity: [_Building 21: Make zines, not research papers_ by Greta Rainbow](\/\/www.statestpizza.com\/en\/blog\/building-21)\n- Poetry x (Natural) Environment: [_Listen to the River: An Ode to the Columbia River_ by Saba Dar](\/\/www.statestpizza.com\/en\/blog\/listen-to-the-river)\n- Teahouse x Activism: [_Chinatown\u2019s Living Room: The gathering place for a budding activist community_ by Anto Chan]( \/\/www.statestpizza.com\/en\/blog\/tea-base)\n- Traditional Craftsmanship x Youth Outreach: [_At the Maritime Museum of the Atlantic, They Build More Than Boats_ by Aleen Leigh Stanton](\/\/www.statestpizza.com\/en\/blog\/building-boats-changing-lives)\n- Visual Arts x Science: [_What happens when you mix an artist, a scientist and a very bright light?_ by Vivian Orr](\/\/www.statestpizza.com\/en\/blog\/artist-scientist-light)\n- Book Clubs x Digital Landscapes: [_Strangers and Fiction_ by Anne Logan](\/\/www.statestpizza.com\/en\/blog\/strangers-and-fiction)","content_fr":null,"should_publish_at":null,"published_at":"2020-03-12 15:41:01","first_published_at":"2020-03-11 09:46:22","deleted_at":null,"created_at":"2020-03-05 13:35:20","updated_at":"2020-09-29 15:24:11","thumbnail_file_id":null,"featured_at":null,"is_featured":false,"is_published":true,"should_publish":false,"status":"published"}" style="scroll-snap-align: start;">

直到灯光出去

泰勒贝索文化日

3月12日,2020年3月12日

概念和参与:对展览的思考

戴夫染料

2020年1月8日

回顾了公元前10年的文化日

克里斯汀劳森

2019年9月5日

投入时间 - 参与调查

戴夫染料

2019年8月22日

桥接代:指导的价值 - 第2部分

克里斯汀劳森

2019年8月16日

桥接代:指导的价值 - 第1部分

克里斯汀劳森

2019年8月12日

肘部的小城镇魅力大部分文化日

Busayo Osobade.

2019年8月8日

引发BC的创造力 - 第2部分

克里斯汀劳森

2019年7月18日

Maybe we need interventions. Maybe we need something to give us a moment to take a step to the side. Not a step back, just a step to the side. And just take a moment to pause and realign, and recalibrate, and redefine what matters.\n\n![Artist Kat Singer.](assets\/National\/blog\/a-step-to-the-side\/singer.jpg){.small}\nMultimedia artist, maker, activist and educator Kat Singer, who will be guiding attendees through the collaborative creation of sculptures from reclaimed materials, has found personal healing in similar work. \"My work helps me process whatever I am going through at the moment,\" explains Kat. \"As I build a figure, stitch by stitch, I contemplate the meanings behind my struggles, and honour my story. When a sculpture is complete, I often feel relieved, since I have a much better understanding of what I am dealing with.\" The sculptures Kat will be making with visitors at CD@L will take the form of trees, which, they explain, represent ideas of growth, resilience and adaptability \u2013 key components of wellness.\n\n![Textile sculpture. Photo courtesy of Kat Singer.](assets\/National\/blog\/a-step-to-the-side\/singer-textile-sculpture-detail.jpg)\n\nJaene F. Castrillon, whose work combines art and activism with spirituality, also has a personal story of finding improved well-being through art. \"My entire practice came into being in 2013 after bouts of chronic illness and pain rendered me disabled,\" Jaene explains. \"My art has become an adventure that celebrates the brilliance and heartbreak of living a life less ordinary \u2013 creating an alternative to harmful notions around wellness, illness and worthiness, honouring art as medicine by taking up space and digging into myself.\"\n\nAt CD@L, Jaene will offer a dreamcatcher workshop, where Indigenous elders will share their knowledge on the significance of the dreamcatcher while participants create their own. \"It is said by some that they let our good dreams through and diffuse our bad dreams so they don't return. A good night's sleep is [an] integral part of wellness,\" she explains. \n\n![Artist Jaene F. Castrillon, _A Celebration of Darkness_. Photo courtesy of Jaene F. Castrillon.](assets\/National\/blog\/a-step-to-the-side\/castrillion-a-celebration-of-darkness.png)\n\nWhile Jaene, Kat and Kanika are multidisciplinary artists with diverse approaches to their respective crafts, all agree on the fundamental nourishing essence of creativity. \"Creativity ought to be recognized for its crucial role in a healthy lifestyle, and given the time and space it deserves,\" says Kat. \"[Art] has been a source of joy and healing for me. When I share my art with others, I invite them to nourish what is already inside them: resilience, beauty, and joy.\"\n\nAnd what better place to undertake these activities of creativity and connection than the library, which, for Jaene, represented a childhood sanctuary against hardship and abuse: \"I feel that I survived my very bleak childhood because I could borrow books by authors like Charles Dickens, Sir Arthur Conan Doyle and Edgar Allan Poe. [\u2026] Libraries have been intrinsic to my survival and upbringing.\"\n\nKanika, who tries to reduce barriers in her artistic practice, values the library as a space of accessibility. \"In theory, it doesn't discriminate, [if] you're a newcomer to the city, you have special needs, whatever it may be. [\u2026] It's a public space that's welcoming to everyone, that fosters knowledge and growth.\"\n\nWith six artist-led programs taking place, there are ample opportunities for knowledge and growth, and to explore what Kanika calls \"the natural human urge\" of creativity. \n\n>So many people stop themselves, like, 'oh, I can't make art, I'm not good,' or whatever stories or inhibitions they have. That's why I'm excited to do a program like this for Culture Days, because it's really for everyone. And it doesn't matter if you think you're good or bad. What matters is if you're interested, you're curious, you wanna be creative, you wanna explore yourself, and you just wanna try something new.\n>> \u2013 Kanika Gupta\n \nOn September 27 and 28, try something new with Culture Days @ the Toronto Public Library.\n\n\n**Culture Days @ the Library is an initiative of Ontario Culture Days, curated by Meaghan Froh Metcalf, Outreach & Programs Manager, for it's ninth iteration in 2019.**\n\n**This Ontario Culture Days program is produced in partnership with [Toronto Public Library](https:\/\/www.torontopubliclibrary.ca\/). Ontario's @ the Library programming is made possible thanks to the support of the [Ontario Library Association](http:\/\/www.accessola.org\/web).**","content_fr":"","should_publish_at":null,"published_at":"2019-07-17 12:00:00","first_published_at":null,"deleted_at":null,"created_at":"2019-07-10 11:25:39","updated_at":"2019-10-04 18:02:59","thumbnail_file_id":null,"featured_at":null,"is_featured":false,"is_published":true,"should_publish":false,"status":"published"}" style="scroll-snap-align: start;">

朝侧的一步:文化日@图书馆提供弹性,美容和喜悦

泰勒贝索

2019年7月17日

生活独奏/社会社会方面的艺术参与

FrédéricJulien.

2019年4月8日

通过艺术建立心理健康

leah凉鞋

2019年3月19日

当艺术是最好的药物

leah凉鞋

2019年2月5日

出现

伊娜娜屁股

2018年8月27日

我们所知道的(不知道)关于加拿大艺术观众

Shannon Litzenberger.

2013年12月9日

观众作为艺术家:改变当代公众的艺术体验

Shannon Litzenberger.

2013年10月26日