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再保险:目的

文化日的迈克·格林

2021年6月29日

当少即是多:戏剧可以从一年的慢动作中学到什么

梅根·亨特参加文化日

2021年7月28日,

刷新:Instagram的一年如何重新定义艺术社区

文化日的伊娃·莫里森

2021年7月15日

Building a boat is a process of thinking, knowing, and doing\u2014of learning and creating, which are the two most important of all human activities. It is not a single big job; it is a thousand little jobs, some of them done over and over and over.\n\n![Getting the hang of things (Photo: Maritime Museum of the Atlantic).](assets\/National\/blog\/building-boats-changing-lives\/picture2_fFcp3r.png){.overflow}\n\nDay 1 is over before you know it, and everyone goes home a little sore, but satisfied to see their boat taking shape. By Day 2, with the exterior of the rowboat complete, the builders add the interior frames, seat risers, and seats. In between the major steps there is always more planing, sanding, and tweaking to do to prepare for the big launch on Day 3.\n\nSituated on the boardwalk in the heart of the busy Halifax waterfront, the [Maritime Museum of the Atlantic (MMA)](https:\/\/maritimemuseum.novascotia.ca\/) was searching for a way to open up the doors of its boatshop and become a community anchor. They found it through the unexpected intersection of traditional craftsmanship and youth outreach. \n\n![The museum is at the heart of the Halifax waterfront (Photo: Maritime Museum of the Atlantic).](assets\/National\/blog\/building-boats-changing-lives\/picture3_A544gz.png){.overflow}\n\nInspired by the Family Boatbuilding concept introduced in WoodenBoat Magazine in 1998, the MMA\u2019s program is simple: gather a few \u2018families\u2019\u2014whether bound by blood or simply friendship\u2014give each group a kit of pieces for a 12-foot rowboat, and help them put the pieces together in three days. Family Boatbuilding spreads wooden boatbuilding to a wider audience and keep the craft alive and vital.[^note1]\n\n![All hands on deck (Photo: Maritime Museum of the Atlantic).](assets\/National\/blog\/building-boats-changing-lives\/picture4_iqT9b5.png){.overflow}\n\nThe [Alexandria Seaport Foundation](https:\/\/alexandriaseaport.org\/), in particular, ran with this idea. They introduced an element of social action, training and employing at-risk youth as apprentices. In the process, they also raised the profile of the movement, publishing Bevin\u2019s Skiff plans for other institutions to use for their own events.[^note2] This is where the MMA found their direct inspiration, and they are not alone. Similar programs have sprung up throughout the Eastern Seaboard and along the West Coast, independently run by an eclectic collection of museums, historical societies, boatyards, and community non-profits.[^note3]\n\nThe MMA built its first two boats in 2014. The next year, three. Then, four. Now, it runs the program multiple times a year in partnership with Mount Saint Vincent University\u2019s Child and Youth Studies program.[^note4]\n\n![In June 2018, Eamonn Doorly the master boatbuilder from the Maritime Museum of the Atlantic in Halifax, led a boat building workshop with students from Pictou Landing First Nation](https:\/\/youtu.be\/7EsIdJwNDKY)\n\nEvery time the MMA runs the program, the excitement on Day 3 feels fresh. By midday, the last quarter knee has been sanded, and each boat christened and ready to launch. Everyone gathers on the floating dock, poised to push their boats into Halifax harbour. They seem a long way from the Day 1 version of themselves. At first, they were reluctant to jump in with hammer in hand, afraid of making mistakes. They soon realized that, in itself, was a mistake. Here, mistakes are celebrated instead of frowned upon\u2014they\u2019re the best teachers. \n\n![Launch day as Theodore the Tugboat looks on (Photo: Maritime Museum of the Atlantic).](assets\/National\/blog\/building-boats-changing-lives\/picture5_TxOoWY.png){.overflow}\n\nThe participants now know how to sand, plane, use a bevel gauge, build upside down, and drill straight. They can also translate angles, apply boatbuilding math, tell the difference between types of wood, and identify a transom or a seat riser. Above all, they\u2019ve absorbed craftsmanship as a concept\u2014what Richard Sennet called \u201cthe desire to do a job well for its own sake.\u201d[^note5] And no one is breaking drill bits anymore.\n\nThe MMA\u2019s Building Boats, Changing Lives program is building capacity in practical building skills, traditional wooden boatbuilding, and heritage craft. But they are doing much more than that.\n\nFirst, they\u2019re building up and empowering youth. Through something as subtle as hammering a nail, they\u2019re connecting youth to identity and belonging, through shared Maritime heritage. The type of boat commonly built during Family Boatbuilding, a flat-bottomed skiff, \u201ccan be found anywhere in the Atlantic provinces, not to mention anywhere in the world\u201d and has been historically indispensable for the inshore fishery.[^note6] Amateur and professional boatbuilders alike have built versions of it for centuries in North America.[^note7] These newest boatbuilders coming out of the MMA join a long line of those who have come before. They now have an elemental connection to boatbuilding heritage by literally making that heritage their own.\n\n![The latest links in a long line of wooden boatbuilding tradition (Photo: Maritime Museum of the Atlantic).](assets\/National\/blog\/building-boats-changing-lives\/picture6_BfnHfe.png){.overflow}\n\nSecond, and finally, the MMA is building a culture of craftsmanship\u2014one boat and one boatbuilder at a time. It\u2019s a culture that values patience, hard work, the impulse to preserve and honour the past, and good old-fashioned gumption in the face of mistakes.\n\nNova Scotia sailor, boatbuilder, and writer, Silver Donald Cameron once said, \u201cBuilding a boat is a process of thinking, knowing, and doing\u2014of learning and creating, which are the two most important of all human activities. It is not a single big job; it is a thousand little jobs, some of them done over and over and over.\u201d[^note8] The MMA teaches everyone who picks up a hammer or a drill during its program that boatbuilding \u2013 like life \u2013 is just a constant process of fixing our mistakes. While we do not live in an ideal world, we can continue to try and make it one.\n\n[^note1]: The WoodenBoat Show, \u201cFamily Boatbuilding,\u201d WoodenBoat Magazine, accessed May 1, 2020, https:\/\/thewoodenboatshow.com\/family-boatbuilding\/.\n[^note2]: \u201cFutures Handcrafted: About the Apprentice Program,\u201d Alexandria Seaport Foundation, accessed May 1, 2020, https:\/\/alexandriaseaport.org\/apprentice-program\/; \u201cBevin\u2019s Skiff,\u201d Alexandria Seaport Foundation, accessed May 1, 2020, https:\/\/alexandriaseaport.org\/get-engaged\/bevins-skiff\/.\n[^note3]: Some include the Antique Boat Museum in Thousand Islands, New York; the Reedville Fisherman\u2019s Museum in Reedville, Virgina; the Deltaville Maritime Museum in Deltaville, Virginia; the Lewes Historical Society in Lewes, Delaware; TSNE Mission Works in Boston, Massachusetts; the University of New Hampshire in Barrington, New Hampshire; and Eddon Boatyard in Gig Harbour, Washington.\n[^note4]: I helped out with the MMA\u2019s program in 2015 and 2016, helping to build the kits and serving as a small group leader.\n[^note5]: Richard Sennett, The Craftsman (New Haven: Yale University Press, 2008), 9.\n[^note6]: David A. Walker and Wayne Barrett, Small Wooden Boats of the Atlantic (Halifax: Nimbus Publishing, 1990), 10. \n[^note7]: Howard I. Chapelle, American Small Sailing Craft: Their Design, Development, and Construction (New York: W. W. Norton, 1951), 100.\n[^note8]: Silver Donald Cameron, \u201cThe Nine-Year Seminar on Boatbuilding and Life,\u201d in We Belong to the Sea: A Nova Scotia Anthology, ed. Mary Stanton (Halifax, N.S.: Nimbus Publishing, 2001), 88.\n\n\n\n\n\n**This article is part of a special blog series featuring writers and creatives from across Canada with stories that both highlight and celebrate Culture Days\u2019 2020 theme of Unexpected Intersections. Explore more intersections below:**\n\n- Theatre x Sport: [_Until the Lights Go Out_ by Taylor Basso](\/\/www.statestpizza.com\/en\/blog\/until-the-lights-go-out)\n- Indigenous Storytelling x Digital Media: [_\u201cPeople are Finally Listening\u201d\u2013Indigenous Animation Rises Up_ by Chris Robinson](\/\/www.statestpizza.com\/en\/blog\/indigenous-animation-rises-up)\n- Academia x Creativity: [_Building 21: Make zines, not research papers_ by Greta Rainbow](\/\/www.statestpizza.com\/en\/blog\/building-21)\n- Poetry x (Natural) Environment: [_Listen to the River: An Ode to the Columbia River_ by Saba Dar](\/\/www.statestpizza.com\/en\/blog\/listen-to-the-river)\n- Teahouse x Activism: [_Chinatown's Living Room: The gathering place for a budding activist community_ by Anto Chan](\/\/www.statestpizza.com\/en\/blog\/tea-base)\n- Visual Arts x Science: [_What happens when you mix an artist, a scientist and a very bright light?_ by Vivian Orr](\/\/www.statestpizza.com\/en\/blog\/artist-scientist-light)\n- Book Clubs x Digital Landscapes: [_Strangers and Fiction_ by Anne Logan](\/\/www.statestpizza.com\/en\/blog\/strangers-and-fiction)","content_fr":null,"should_publish_at":null,"published_at":"2020-08-05 09:57:42","first_published_at":"2020-06-15 08:59:15","deleted_at":null,"created_at":"2020-06-15 08:40:58","updated_at":"2020-09-29 15:26:05","thumbnail_file_id":null,"featured_at":null,"is_featured":false,"is_published":true,"should_publish":false,"status":"published"}" style="scroll-snap-align: start;">

在大西洋海事博物馆,他们建造的不仅仅是船只

文化日的Aleen Leigh Stanton

2020年8月5日

青年、艺术、文化:双赢

佩内洛普·克尔

2013年8月14日