Culture365博客

重构社区和剧院的工作场所

文化日Natércia Napoleão

2021年6月29日

Lumel工作室

文化的日子

2021年8月23日

利亚Dorion

文化的日子

2021年8月23日

Building a boat is a process of thinking, knowing, and doing\u2014of learning and creating, which are the two most important of all human activities. It is not a single big job; it is a thousand little jobs, some of them done over and over and over.\n\n![Getting the hang of things (Photo: Maritime Museum of the Atlantic).](assets\/National\/blog\/building-boats-changing-lives\/picture2_fFcp3r.png){.overflow}\n\nDay 1 is over before you know it, and everyone goes home a little sore, but satisfied to see their boat taking shape. By Day 2, with the exterior of the rowboat complete, the builders add the interior frames, seat risers, and seats. In between the major steps there is always more planing, sanding, and tweaking to do to prepare for the big launch on Day 3.\n\nSituated on the boardwalk in the heart of the busy Halifax waterfront, the [Maritime Museum of the Atlantic (MMA)](https:\/\/maritimemuseum.novascotia.ca\/) was searching for a way to open up the doors of its boatshop and become a community anchor. They found it through the unexpected intersection of traditional craftsmanship and youth outreach. \n\n![The museum is at the heart of the Halifax waterfront (Photo: Maritime Museum of the Atlantic).](assets\/National\/blog\/building-boats-changing-lives\/picture3_A544gz.png){.overflow}\n\nInspired by the Family Boatbuilding concept introduced in WoodenBoat Magazine in 1998, the MMA\u2019s program is simple: gather a few \u2018families\u2019\u2014whether bound by blood or simply friendship\u2014give each group a kit of pieces for a 12-foot rowboat, and help them put the pieces together in three days. Family Boatbuilding spreads wooden boatbuilding to a wider audience and keep the craft alive and vital.[^note1]\n\n![All hands on deck (Photo: Maritime Museum of the Atlantic).](assets\/National\/blog\/building-boats-changing-lives\/picture4_iqT9b5.png){.overflow}\n\nThe [Alexandria Seaport Foundation](https:\/\/alexandriaseaport.org\/), in particular, ran with this idea. They introduced an element of social action, training and employing at-risk youth as apprentices. In the process, they also raised the profile of the movement, publishing Bevin\u2019s Skiff plans for other institutions to use for their own events.[^note2] This is where the MMA found their direct inspiration, and they are not alone. Similar programs have sprung up throughout the Eastern Seaboard and along the West Coast, independently run by an eclectic collection of museums, historical societies, boatyards, and community non-profits.[^note3]\n\nThe MMA built its first two boats in 2014. The next year, three. Then, four. Now, it runs the program multiple times a year in partnership with Mount Saint Vincent University\u2019s Child and Youth Studies program.[^note4]\n\n![In June 2018, Eamonn Doorly the master boatbuilder from the Maritime Museum of the Atlantic in Halifax, led a boat building workshop with students from Pictou Landing First Nation](https:\/\/youtu.be\/7EsIdJwNDKY)\n\nEvery time the MMA runs the program, the excitement on Day 3 feels fresh. By midday, the last quarter knee has been sanded, and each boat christened and ready to launch. Everyone gathers on the floating dock, poised to push their boats into Halifax harbour. They seem a long way from the Day 1 version of themselves. At first, they were reluctant to jump in with hammer in hand, afraid of making mistakes. They soon realized that, in itself, was a mistake. Here, mistakes are celebrated instead of frowned upon\u2014they\u2019re the best teachers. \n\n![Launch day as Theodore the Tugboat looks on (Photo: Maritime Museum of the Atlantic).](assets\/National\/blog\/building-boats-changing-lives\/picture5_TxOoWY.png){.overflow}\n\nThe participants now know how to sand, plane, use a bevel gauge, build upside down, and drill straight. They can also translate angles, apply boatbuilding math, tell the difference between types of wood, and identify a transom or a seat riser. Above all, they\u2019ve absorbed craftsmanship as a concept\u2014what Richard Sennet called \u201cthe desire to do a job well for its own sake.\u201d[^note5] And no one is breaking drill bits anymore.\n\nThe MMA\u2019s Building Boats, Changing Lives program is building capacity in practical building skills, traditional wooden boatbuilding, and heritage craft. But they are doing much more than that.\n\nFirst, they\u2019re building up and empowering youth. Through something as subtle as hammering a nail, they\u2019re connecting youth to identity and belonging, through shared Maritime heritage. The type of boat commonly built during Family Boatbuilding, a flat-bottomed skiff, \u201ccan be found anywhere in the Atlantic provinces, not to mention anywhere in the world\u201d and has been historically indispensable for the inshore fishery.[^note6] Amateur and professional boatbuilders alike have built versions of it for centuries in North America.[^note7] These newest boatbuilders coming out of the MMA join a long line of those who have come before. They now have an elemental connection to boatbuilding heritage by literally making that heritage their own.\n\n![The latest links in a long line of wooden boatbuilding tradition (Photo: Maritime Museum of the Atlantic).](assets\/National\/blog\/building-boats-changing-lives\/picture6_BfnHfe.png){.overflow}\n\nSecond, and finally, the MMA is building a culture of craftsmanship\u2014one boat and one boatbuilder at a time. It\u2019s a culture that values patience, hard work, the impulse to preserve and honour the past, and good old-fashioned gumption in the face of mistakes.\n\nNova Scotia sailor, boatbuilder, and writer, Silver Donald Cameron once said, \u201cBuilding a boat is a process of thinking, knowing, and doing\u2014of learning and creating, which are the two most important of all human activities. It is not a single big job; it is a thousand little jobs, some of them done over and over and over.\u201d[^note8] The MMA teaches everyone who picks up a hammer or a drill during its program that boatbuilding \u2013 like life \u2013 is just a constant process of fixing our mistakes. While we do not live in an ideal world, we can continue to try and make it one.\n\n[^note1]: The WoodenBoat Show, \u201cFamily Boatbuilding,\u201d WoodenBoat Magazine, accessed May 1, 2020, https:\/\/thewoodenboatshow.com\/family-boatbuilding\/.\n[^note2]: \u201cFutures Handcrafted: About the Apprentice Program,\u201d Alexandria Seaport Foundation, accessed May 1, 2020, https:\/\/alexandriaseaport.org\/apprentice-program\/; \u201cBevin\u2019s Skiff,\u201d Alexandria Seaport Foundation, accessed May 1, 2020, https:\/\/alexandriaseaport.org\/get-engaged\/bevins-skiff\/.\n[^note3]: Some include the Antique Boat Museum in Thousand Islands, New York; the Reedville Fisherman\u2019s Museum in Reedville, Virgina; the Deltaville Maritime Museum in Deltaville, Virginia; the Lewes Historical Society in Lewes, Delaware; TSNE Mission Works in Boston, Massachusetts; the University of New Hampshire in Barrington, New Hampshire; and Eddon Boatyard in Gig Harbour, Washington.\n[^note4]: I helped out with the MMA\u2019s program in 2015 and 2016, helping to build the kits and serving as a small group leader.\n[^note5]: Richard Sennett, The Craftsman (New Haven: Yale University Press, 2008), 9.\n[^note6]: David A. Walker and Wayne Barrett, Small Wooden Boats of the Atlantic (Halifax: Nimbus Publishing, 1990), 10. \n[^note7]: Howard I. Chapelle, American Small Sailing Craft: Their Design, Development, and Construction (New York: W. W. Norton, 1951), 100.\n[^note8]: Silver Donald Cameron, \u201cThe Nine-Year Seminar on Boatbuilding and Life,\u201d in We Belong to the Sea: A Nova Scotia Anthology, ed. Mary Stanton (Halifax, N.S.: Nimbus Publishing, 2001), 88.\n\n\n\n\n\n**This article is part of a special blog series featuring writers and creatives from across Canada with stories that both highlight and celebrate Culture Days\u2019 2020 theme of Unexpected Intersections. Explore more intersections below:**\n\n- Theatre x Sport: [_Until the Lights Go Out_ by Taylor Basso](\/\/www.statestpizza.com\/en\/blog\/until-the-lights-go-out)\n- Indigenous Storytelling x Digital Media: [_\u201cPeople are Finally Listening\u201d\u2013Indigenous Animation Rises Up_ by Chris Robinson](\/\/www.statestpizza.com\/en\/blog\/indigenous-animation-rises-up)\n- Academia x Creativity: [_Building 21: Make zines, not research papers_ by Greta Rainbow](\/\/www.statestpizza.com\/en\/blog\/building-21)\n- Poetry x (Natural) Environment: [_Listen to the River: An Ode to the Columbia River_ by Saba Dar](\/\/www.statestpizza.com\/en\/blog\/listen-to-the-river)\n- Teahouse x Activism: [_Chinatown's Living Room: The gathering place for a budding activist community_ by Anto Chan](\/\/www.statestpizza.com\/en\/blog\/tea-base)\n- Visual Arts x Science: [_What happens when you mix an artist, a scientist and a very bright light?_ by Vivian Orr](\/\/www.statestpizza.com\/en\/blog\/artist-scientist-light)\n- Book Clubs x Digital Landscapes: [_Strangers and Fiction_ by Anne Logan](\/\/www.statestpizza.com\/en\/blog\/strangers-and-fiction)","content_fr":null,"should_publish_at":null,"published_at":"2020-08-05 09:57:42","first_published_at":"2020-06-15 08:59:15","deleted_at":null,"created_at":"2020-06-15 08:40:58","updated_at":"2020-09-29 15:26:05","thumbnail_file_id":null,"featured_at":null,"is_featured":false,"is_published":true,"should_publish":false,"status":"published"}" style="scroll-snap-align: start;">

在大西洋海事博物馆,他们建造的不仅仅是船只

文化日的Aleen Leigh Stanton

2020年8月5日

We're introducing sports people to theatre, and theatre people to sports\u2014and then there's people like us, who are in between, who can understand both worlds and love it.\n\nOn a summer night in 2008, at the corner of Queens Quay West and Bathurst in Toronto, six figures meet to play basketball. It's a weekly tradition: every Monday night at 10 pm, they meet here and shoot hoops until the lights at the court go out. The instigator was Richard Lee, who sent an email to fellow actors with an offer of a weekly game, held on Mondays\u2014the night the theatre is dark. Now, 12 years later, the tradition lives on through an innovative stage production: [_Monday Nights_](https:\/\/6thmancollective.wordpress.com\/).\n\n![2020 PuSh Festival, Anvil Centre, New Westminster, BC. Sarah Race Photography.](assets\/National\/blog\/until-the-lights-go-out\/monday-nights-1-credit-sarah-race-photography-1_7ZKtvW.jpeg)\n\n_Monday Nights_ was developed as part of the [Theatre Centre Residency Program](http:\/\/theatrecentre.org\/?p=1322) and saw its world premiere in Toronto in 2014, with subsequent runs in 2015 (to coincide with Toronto hosting the Pan American Games), 2017 and 2019. Most recently, it was mounted in New Westminster, BC, as part of the 2020 [PuSh International Performing Arts Festival](https:\/\/pushfestival.ca\/).\n\n\"As you grow up, you stop playing and you do adult things. You're working, you're paying bills, you're starting a career, you're trying to find love,\" says Byron Abalos. He and the other members of the [6th Man Collective](https:\/\/www.facebook.com\/pg\/6thmancollective\/posts\/?ref=page_internal)\u2014veterans of the Monday night games\u2014hoped to put that conundrum to bed by adapting their weekly tradition to the stage.\n\nWhat does a pick-up basketball game look like as a piece of theatre? Upon entering the theatre, retrofitted into a makeshift basketball court, audience members are instructed by a \"referee\" (a performer in the production who acts as a guide of sorts) to choose from among the four sports bags. Each bag represents a \"team captain,\" whose journey they'll follow through the rest of _Monday Nights_. For the first half of the show, they listen to audio on headsets about their captain's personal story, as the performers run through basketball drills to teach them the rules of the game. Each captain's story is autobiographical, based on the performers in the collective; Abalos's story reflects his and his wife's attempts to conceive a child via in-vitro fertilization, for example.\n\n![2020 PuSh Festival, Anvil Centre, New Westminster, BC. Sarah Race Photography.](assets\/National\/blog\/until-the-lights-go-out\/monday-nights-4-credit-sarah-race-photography-1_uygO2V.jpeg)\n\nAround half-time, audience members join performers for a game of three-on-three. The stakes are unspeakably high: \"The captain of the team with the fewest points has to do the laundry of the other captains,\" after the show, Abalos admits. The show ends with performers and audience members continuing the Monday night tradition: sinking baskets until the lights go out.\n\n\"It's a journey from individual to community,\" Abalos explains. Audience members start as individuals, before coming together as competing teams, before ultimately forming a larger group. This unification is evident in the disparate audience members who come out to experience _Monday Nights_. \"It's often people who are not sports people, who hated gym in high school, who leave saying, 'Wow, that moved me and I understand sport in a different way than I did before.'\"\n\nSimilarly, he says, the show has attracted athletes who aren't necessarily predisposed to a night at the theatre. \"We had a father who brought his son, a teenager. This was the first piece of theatre they'd ever seen. There's something about the appeal of the sports part of it that made them curious enough to come on down. We're introducing sports people to theatre, and theatre people to sports\u2014and then there's people like us, who are in between, who can understand both worlds and love it.\"\n\n![2020 PuSh Festival, Anvil Centre, New Westminster, BC. Sarah Race Photography.](assets\/National\/blog\/until-the-lights-go-out\/monday-nights-2-credit-sarah-race-photography-1_6mvl9d.jpeg)\n\nWhat are the commonalities between art and sport that makes the fusion so uplifting? \"Camaraderie, being in our bodies, competition, a chance to connect with each other as people,\" Abalos says. \"\\[Both art and sport] connect us to each other and help us to put ourselves in situations, to build empathy, to create community and to leave us better.\"\n\n_Monday Nights_ recently finished its West Coast dates, and life is back to normal. The sporting spirit remains high in Toronto with the Raptors as sitting NBA champs. Byron and his wife dote on their baby, now seven months old. And, 12 years later, the Monday night gang still gets together to play basketball. The only difference? \"We play on Saturday mornings\u2026 because we're all older and it works better for our schedules.\"\n\n\n\n**This article is part of a special blog series\u2014running March-September\u2014featuring writers and creatives from across Canada with stories that both highlight and celebrate Culture Days\u2019 2020 theme of _Unexpected Intersections_. Explore more intersections below:**\n- Indigenous Storytelling x Digital Media: [_\u201cPeople are Finally Listening\u201d\u2013Indigenous Animation Rises Up_ by Chris Robinson](\/\/www.statestpizza.com\/en\/blog\/indigenous-animation-rises-up)\n- Academia x Creativity: [_Building 21: Make zines, not research papers_ by Greta Rainbow](\/\/www.statestpizza.com\/en\/blog\/building-21)\n- Poetry x (Natural) Environment: [_Listen to the River: An Ode to the Columbia River_ by Saba Dar](\/\/www.statestpizza.com\/en\/blog\/listen-to-the-river)\n- Teahouse x Activism: [_Chinatown\u2019s Living Room: The gathering place for a budding activist community_ by Anto Chan]( \/\/www.statestpizza.com\/en\/blog\/tea-base)\n- Traditional Craftsmanship x Youth Outreach: [_At the Maritime Museum of the Atlantic, They Build More Than Boats_ by Aleen Leigh Stanton](\/\/www.statestpizza.com\/en\/blog\/building-boats-changing-lives)\n- Visual Arts x Science: [_What happens when you mix an artist, a scientist and a very bright light?_ by Vivian Orr](\/\/www.statestpizza.com\/en\/blog\/artist-scientist-light)\n- Book Clubs x Digital Landscapes: [_Strangers and Fiction_ by Anne Logan](\/\/www.statestpizza.com\/en\/blog\/strangers-and-fiction)","content_fr":null,"should_publish_at":null,"published_at":"2020-03-12 15:41:01","first_published_at":"2020-03-11 09:46:22","deleted_at":null,"created_at":"2020-03-05 13:35:20","updated_at":"2020-09-29 15:24:11","thumbnail_file_id":null,"featured_at":null,"is_featured":false,"is_published":true,"should_publish":false,"status":"published"}" style="scroll-snap-align: start;">

直到灯灭

“文化日”的泰勒·巴索

2020年3月12日,

来见见我们的组织者:里贾纳的Vrunda

文化的日子

2020年2月18日

在BC激发创造力-第2部分

克里斯汀劳森

2019年7月18日