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迈克绿色文化日

2021年6月29日

当较少的时候:剧院可以从一年中学习慢动作

梅根狩猎文化日

7月28日,2021年

刷新:如何在Instagram重新定义艺术社区的一年

eva莫里森文化日

7月15日,2021年

\n\n\n\n**This article is part of a [special blog series](\/\/www.statestpizza.com\/en\/blog\/re-imagine-series) featuring writers and creatives from across Canada (and beyond!) with stories that both highlight and celebrate Culture Days\u2019 2021 theme, RE:IMAGINE. Explore more stories below.**\n- [Arts in Motion](\/\/www.statestpizza.com\/en\/blog\/arts-in-motion) by Aaron Rothermund.\n- [Reimagining Public Spaces: The Share-It-Square in Portland, Oregon](\/\/www.statestpizza.com\/en\/blog\/reimagining-public-spaces) by Laura Puttkamer\n- [Refresh: How a Year on Instagram Redefined Artistic Communities](\/\/www.statestpizza.com\/en\/blog\/refresh-artistic-communities-on-instagram) by Eva Morrison\n- [RE:PURPOSE](\/\/www.statestpizza.com\/en\/blog\/repurpose) by Mike Green\n- [Recalibrating: A Look at Opera InReach](\/\/www.statestpizza.com\/en\/blog\/recalibrating-opera-inreach) by Anya Wassenberg\n- [Reimagine\u2014How the Disability Community Accesses the Arts](\/\/www.statestpizza.com\/en\/blog\/reimagine-how-disability-community-accesses-arts) by Rachel Marks\n- [Reimagining Community and the Workplace of Theatre](\/\/www.statestpizza.com\/en\/blog\/reimagining-theatre) by Nat\u00e9rcia Napole\u00e3o\n- [Helm Studios flips the for-profit music model to empower artists](\/\/www.statestpizza.com\/en\/blog\/reimagine-helm-studios) by Aly Laube\n- [Curating _INUA_, Canada\u2019s newest Inuit art exhibit](\/\/www.statestpizza.com\/en\/blog\/curating-inua) by Carolyn B. Heller\n- [When Less is More: What Theatre Can Learn From a Year in Slow Motion](\/\/www.statestpizza.com\/en\/blog\/when-less-is-more) by Megan Hunt","content_fr":null,"should_publish_at":null,"published_at":"2021-06-14 11:45:17","first_published_at":"2021-06-14 11:37:32","deleted_at":null,"created_at":"2021-06-14 11:28:11","updated_at":"2021-07-28 10:38:57","thumbnail_file_id":null,"featured_at":null,"is_featured":false,"is_published":true,"should_publish":false,"status":"published"}" style="scroll-snap-align: start;">

道路较少旅行:三位艺术家重新想象成功和职业生涯

Linh S.nguyễn文化日

2021年6月14日

As the Coronavirus restrictions gradually settled over my life in mid-March and my regular book club was put on hiatus, I found myself craving an arts-focused connection...\n\nAs the minutes tick towards 7pm, my computer is perched precariously on a stack of books while pages of discussion prompts lie on the desk underneath a dog-eared copy of our May book choice. The Facebook video interface is poised for recording; all I have to do now is hit the \u2018Go Live\u2019 button to begin our meeting. The 7pm MST beginning is late for some of our members in eastern Canada, but the promise of a satisfying deconstruction of our latest read is enough to pull people back to their devices at this hour. Once I begin the recording there is little preamble, I pause only to thank people for joining before I jump right into the discussion. After the requisite 40 second delay in the video feed, comments begin pouring in: a whole month\u2019s worth of observations scrolling down the screen.\n\nThere are two different kinds of book clubs. The first is an informal gathering of friends, eager to indulge in some libations and friendly gossip with some limited book talk thrown in. The second is a formal club with a regular meeting time, specific book choices voted on in advance and a discussion focused solely on the chosen reading material. Quite often the latter is made up of strangers, brought together over a love of the written word and a desire to meet like-minded people. Now, while in-person gatherings are on hold due to the COVID-19 pandemic, attention is shifting to online groups as an accessible and efficient way of connecting those with similar interests.\n\n![Anne leading a discussion during an Ivereadthis Online Book Club meeting.](assets\/National\/blog\/strangers-and-fiction\/img-1017-1_EkDI7C.jpeg){.overflow}\n\nAs the Coronavirus restrictions gradually settled over my life in mid-March and my regular book club was put on hiatus, I found myself craving an arts-focused connection. As a critic I\u2019m lucky enough to have books mailed directly to my home, so I invited fellow bookworms to join me in reading through my collection by starting the [Ivereadthis Online Book Club](https:\/\/www.facebook.com\/groups\/ivereadthisonlinebookclub\/). The Club is a free and public Facebook group, connecting once a month over live video chats which allow for real-time discussion with an unlimited number of participants. As I write this our group includes over 200 members, but after only two meetings it is clear who will actively participate in our video chats and who is content to hover on the sidelines, popping in and out for book recommendations.\n\nFace-to-face interactions ensure a certain level of decorum is upheld while online discussions can easily devolve into bickering. As the group moderator I was mildly concerned that our conversations may become offensive, or worse, trolled by people looking to stir up pointless controversy. To avoid this, I decided our group would focus on works of fiction which allow people to voice opinions on issues external to their own lives, but relevant all the same. For example, character motivations are a frequent topic of discussion; why did someone act that way, were they justified in lashing out, what would you have done in the same situation? Criticizing the actions of a character tends to incite less controversy, keeping the tone of our discussions light and entertaining regardless of the dark subject matter the chosen books may address. \n\n![Photo courtesy of Vlada Karpovish.](assets\/National\/blog\/strangers-and-fiction\/vlada-karpovich_5ex6dE.jpeg){.pull}\n\nDespite the ease of voicing one\u2019s thoughts to strangers across the country in sweatpants, there are obvious downsides to staying solely online. Fran Kimmel, a writer and book club veteran points out: \u201cwhen online I might not try quite as hard to get my point across or to understand other people\u2019s points. There\u2019s the added layer of technology separating you from others, and all those emotional intelligence cues we get through body language are stripped away. But I\u2019m also hopeful that this is a learned skill, and the more we meet online, the better we\u2019ll become at sharing deeply.\u201d \n\nThe only distinguishing factor of each group member is their thumbnail-sized picture, so there is a distinct lack of background information to base judgements on. If someone voices an opinion that you vehemently disagree with at an in-person meeting, you are likely to fall back on their body language and tone of voice to help justify their comment. Online we can only go by a person\u2019s text-based contributions\u2014so although it seems easier to participate in a virtual chat, our words hold more weight than usual. Readers are especially aware of how important word choice can be, so thankfully our conversations have remained respectful and empathetic, even during disagreements. \n\nAs the organizer, my one question that looms above all others is the likelihood this club will continue. COVID-19 has not only shifted the way we currently interact with others, it has altered the way we imagine our future communications; the ease in which we have shifted our events online demonstrates this new way of meeting can continue even when moving restrictions have lifted. And even if the membership of the Ivereadthis Online Book Club slowly dwindles once life returns to normal, members now see the benefits to joining other public clubs like this in the future. One of the group\u2019s members, Jolena, confirms this newly discovered interest is one she\u2019ll continue with: \u201cI would join another book club, it was a great experience to be able to discuss a topic among peers.\u201d Knowing our members feel this way is incredibly validating\u2014the cultural richness of literature is a wonderful gift to share with others, especially with those you never would have met otherwise.\n\n![Photo courtesy of Parth Shah.](assets\/National\/blog\/strangers-and-fiction\/parth-shah_Kvywu1.jpeg){.overflow}\n\n\n\n**This article is part of a special blog series featuring writers and creatives from across Canada with stories that both highlight and celebrate Culture Days\u2019 2020 theme of Unexpected Intersections. Explore more intersections below:**\n\n- Theatre x Sport: [_Until the Lights Go Out_ by Taylor Basso](\/\/www.statestpizza.com\/en\/blog\/until-the-lights-go-out)\n- Indigenous Storytelling x Digital Media: [_\u201cPeople are Finally Listening\u201d\u2013Indigenous Animation Rises Up_ by Chris Robinson](\/\/www.statestpizza.com\/en\/blog\/indigenous-animation-rises-up)\n- Academia x Creativity: [_Building 21: Make zines, not research papers_ by Greta Rainbow](\/\/www.statestpizza.com\/en\/blog\/building-21)\n- Poetry x (Natural) Environment: [_Listen to the River: An Ode to the Columbia River_ by Saba Dar](\/\/www.statestpizza.com\/en\/blog\/listen-to-the-river)\n- Teahouse x Activism: [Chinatown's Living Room: _The gathering place for a budding activist community_ by Anto Chan](\/\/www.statestpizza.com\/en\/blog\/tea-base)\n- Traditional Craftsmanship x Youth Outreach: [_At the Maritime Museum of the Atlantic, They Build More Than Boats_ by Aleen Leigh Stanton](\/\/www.statestpizza.com\/en\/blog\/building-boats-changing-lives)\n- Visual Arts x Science: [_What happens when you mix an artist, a scientist and a very bright light?_ by Vivian Orr](\/\/www.statestpizza.com\/en\/blog\/artist-scientist-light)","content_fr":null,"should_publish_at":null,"published_at":"2020-09-02 10:10:02","first_published_at":"2020-06-10 12:38:44","deleted_at":null,"created_at":"2020-06-10 12:38:07","updated_at":"2020-09-02 10:10:02","thumbnail_file_id":null,"featured_at":null,"is_featured":false,"is_published":true,"should_publish":false,"status":"published"}" style="scroll-snap-align: start;">

陌生人和小说

安妮洛根文化日

2020年9月2日