Culture365博客

再保险:目的

文化日的迈克·格林

2021年6月29日

当少即是多:戏剧可以从一年的慢动作中学到什么

梅根·亨特参加文化日

2021年7月28日,

刷新:Instagram的一年如何重新定义艺术社区

文化日的伊娃·莫里森

2021年7月15日

Exhibiting my work has proven to be a great tactic (ice breaker), when inviting members of the public to participate in open dialogues, whether it be about art or more pressing matters such as activism or the current social climate. This includes connecting with new artists, reaching out to members of the community as well as other like-minded creators, all coming together for a common cause.\n\nDue to the restrictions caused by the pandemic, social media has become a primary source and powerful platform with few limitations when connecting to a wide range of audiences. This can be a pleasant form of communication, offering the opportunity to cultivate alternative perspectives or critiques between individuals that are keen on pushing boundaries on every level, granting me the opportunity to provide more insight into my goals as a creator and activist.\n\nI highlight the importance of strength in unity, for example, reflecting on moments within the George Floyd protests when white protestors created physical barriers between Black protesters and law enforcement, chanting \u201cBlack Lives Matter\u201d. This gesture alone signified that the first step to becoming an advocate is acknowledgment. Acknowledgment of the global issues surrounding race, colourism, State violence against minorities, or the social inequality that has shattered communities for decades, while being open to having uncomfortable discussions that can lead to necessary, massive changes within our communities. Acknowledgment is an active pillar to every conversation regarding race and the first step to becoming an advocate.\n\nIn conclusion, an advocate should not wait to be invited to the conversation. The conversation has been active throughout history and will continue far into the future. Simply pull up a chair at the table and jump right into the discussion, there\u2019s plenty of room.\n\n![](assets\/National\/blog\/make-room-for-alia-peoples\/thumbnail-image3-2_Puv0Uw.jpg){.pull .right}\n\n**How has the role of community (however you choose to define \u2018community\u2019) impacted your arts practice?**\n\nMy community has acted as a support system throughout my career as a creator, encouraging my artistic drive, passion towards developing meaningful creations and self-expression, no matter the direction or manner I choose to conduct them in. It\u2019s the safety net that allows me to freely convey my truths without fear of judgment or non-acceptance by others.\n\nCommunity is a source of inspiration that has impacted my life in many ways. For example, I love engaging in enlightening conversations with strong female friends, who collectively support one another and encourage me to always speak my truth, no matter the outcome. I\u2019m also inspired by my family members, such as my brother and role model, Mohammed G\u00f6ess Peoples. Mohammed's form of creative expression in giving back to the community was to establish a BLM Zoom platform along with his friend and co-founder, Ikram Aslam. It serves as a safe space for members to share everyday experiences regarding race that have affected them personally and work together towards achieving social reform. Guest speakers from various educational backgrounds, including psychology, join the discussions and shed light on urgent topics such as maintaining mental health during the pandemic and much more. \n\n**What\u2019s next for you creatively?**\n\nCreatively speaking, I plan to place more energy into larger-scaled projects. As a child I found myself sticking to small but detailed doodles due to an inward discomfort or unease with being in my own skin. Over time my artwork has evolved from shy and polite to loud and confident and continues to grow. I\u2019m eager and looking forward to showcasing more of my work in the near future.\n\n**Where can people go to see what you\u2019re working on and keep up with your creative output?**\n\nInstagram: [@Aliagpeoplesart](https:\/\/www.instagram.com\/aliagpeoplesart\/?hl=en)\n\n\n\n**This article is part of a special series shouting-out new or rising artists creatives, and\/or collectives from across the country that should be on your radar. Explore more profiles below:**\n- [Make Room For... Creato](\/\/www.statestpizza.com\/en\/blog\/make-room-for-creato)\n- [Make Room For... Desmond Tompkins](\/\/www.statestpizza.com\/en\/blog\/make-room-for-desmond-tompkins)","content_fr":null,"should_publish_at":null,"published_at":"2021-04-19 10:31:12","first_published_at":"2021-04-16 15:22:56","deleted_at":null,"created_at":"2021-04-14 11:45:10","updated_at":"2021-04-22 09:59:58","thumbnail_file_id":null,"featured_at":null,"is_featured":false,"is_published":true,"should_publish":false,"status":"published"}" style="scroll-snap-align: start;">

为…艾莉雅g .人民

文化日x Alia G.人民

2021年4月19日

I believe that our role is to continue pushing boundaries within the art world, and utilize what privilege we do have to uplift the voices of our peers.\n\n![\"Callisto\", 2019, abstract painting. Courtesy of the artist. ](assets\/National\/blog\/make-room-for-desmond-tompkins\/picture6_s8A31F.png)\n\n**What\u2019s next for you creatively?** \n\nI plan on pursuing formal arts education, and utilizing my degree to become an arts teacher for alternative high school programs. Along with this I hope to continue cultivating my arts practice, and remain active in the arts and culture community through working on new arts opportunities for young artists to have their voices heard.\n\n**Where can people go to keep up with your art projects and creative output?**\n\nMy virtual portfolio can be found on my Instagram [@dezzmonndd](https:\/\/www.instagram.com\/dezzmonndd\/?hl=en) and I can be reached through my email for inquiries.\n\n\n\n**This article is part of a special series shouting-out new or rising artists creatives, and\/or collectives from across the country that should be on your radar. Explore more profiles below:**\n- [Make Room For... Creato](\/\/www.statestpizza.com\/en\/blog\/make-room-for-creato)\n- [Make Room For... Alia G. Peoples](\/\/www.statestpizza.com\/en\/blog\/make-room-for-alia-g-peoples)","content_fr":null,"should_publish_at":null,"published_at":"2021-03-15 10:21:12","first_published_at":"2021-03-11 22:49:51","deleted_at":null,"created_at":"2021-03-11 22:44:36","updated_at":"2021-04-19 21:45:40","thumbnail_file_id":null,"featured_at":null,"is_featured":false,"is_published":true,"should_publish":false,"status":"published"}" style="scroll-snap-align: start;">

为…德斯蒙德·汤普金斯

文化日x Desmond Tompkins

2021年3月15日

Building a boat is a process of thinking, knowing, and doing\u2014of learning and creating, which are the two most important of all human activities. It is not a single big job; it is a thousand little jobs, some of them done over and over and over.\n\n![Getting the hang of things (Photo: Maritime Museum of the Atlantic).](assets\/National\/blog\/building-boats-changing-lives\/picture2_fFcp3r.png){.overflow}\n\nDay 1 is over before you know it, and everyone goes home a little sore, but satisfied to see their boat taking shape. By Day 2, with the exterior of the rowboat complete, the builders add the interior frames, seat risers, and seats. In between the major steps there is always more planing, sanding, and tweaking to do to prepare for the big launch on Day 3.\n\nSituated on the boardwalk in the heart of the busy Halifax waterfront, the [Maritime Museum of the Atlantic (MMA)](https:\/\/maritimemuseum.novascotia.ca\/) was searching for a way to open up the doors of its boatshop and become a community anchor. They found it through the unexpected intersection of traditional craftsmanship and youth outreach. \n\n![The museum is at the heart of the Halifax waterfront (Photo: Maritime Museum of the Atlantic).](assets\/National\/blog\/building-boats-changing-lives\/picture3_A544gz.png){.overflow}\n\nInspired by the Family Boatbuilding concept introduced in WoodenBoat Magazine in 1998, the MMA\u2019s program is simple: gather a few \u2018families\u2019\u2014whether bound by blood or simply friendship\u2014give each group a kit of pieces for a 12-foot rowboat, and help them put the pieces together in three days. Family Boatbuilding spreads wooden boatbuilding to a wider audience and keep the craft alive and vital.[^note1]\n\n![All hands on deck (Photo: Maritime Museum of the Atlantic).](assets\/National\/blog\/building-boats-changing-lives\/picture4_iqT9b5.png){.overflow}\n\nThe [Alexandria Seaport Foundation](https:\/\/alexandriaseaport.org\/), in particular, ran with this idea. They introduced an element of social action, training and employing at-risk youth as apprentices. In the process, they also raised the profile of the movement, publishing Bevin\u2019s Skiff plans for other institutions to use for their own events.[^note2] This is where the MMA found their direct inspiration, and they are not alone. Similar programs have sprung up throughout the Eastern Seaboard and along the West Coast, independently run by an eclectic collection of museums, historical societies, boatyards, and community non-profits.[^note3]\n\nThe MMA built its first two boats in 2014. The next year, three. Then, four. Now, it runs the program multiple times a year in partnership with Mount Saint Vincent University\u2019s Child and Youth Studies program.[^note4]\n\n![In June 2018, Eamonn Doorly the master boatbuilder from the Maritime Museum of the Atlantic in Halifax, led a boat building workshop with students from Pictou Landing First Nation](https:\/\/youtu.be\/7EsIdJwNDKY)\n\nEvery time the MMA runs the program, the excitement on Day 3 feels fresh. By midday, the last quarter knee has been sanded, and each boat christened and ready to launch. Everyone gathers on the floating dock, poised to push their boats into Halifax harbour. They seem a long way from the Day 1 version of themselves. At first, they were reluctant to jump in with hammer in hand, afraid of making mistakes. They soon realized that, in itself, was a mistake. Here, mistakes are celebrated instead of frowned upon\u2014they\u2019re the best teachers. \n\n![Launch day as Theodore the Tugboat looks on (Photo: Maritime Museum of the Atlantic).](assets\/National\/blog\/building-boats-changing-lives\/picture5_TxOoWY.png){.overflow}\n\nThe participants now know how to sand, plane, use a bevel gauge, build upside down, and drill straight. They can also translate angles, apply boatbuilding math, tell the difference between types of wood, and identify a transom or a seat riser. Above all, they\u2019ve absorbed craftsmanship as a concept\u2014what Richard Sennet called \u201cthe desire to do a job well for its own sake.\u201d[^note5] And no one is breaking drill bits anymore.\n\nThe MMA\u2019s Building Boats, Changing Lives program is building capacity in practical building skills, traditional wooden boatbuilding, and heritage craft. But they are doing much more than that.\n\nFirst, they\u2019re building up and empowering youth. Through something as subtle as hammering a nail, they\u2019re connecting youth to identity and belonging, through shared Maritime heritage. The type of boat commonly built during Family Boatbuilding, a flat-bottomed skiff, \u201ccan be found anywhere in the Atlantic provinces, not to mention anywhere in the world\u201d and has been historically indispensable for the inshore fishery.[^note6] Amateur and professional boatbuilders alike have built versions of it for centuries in North America.[^note7] These newest boatbuilders coming out of the MMA join a long line of those who have come before. They now have an elemental connection to boatbuilding heritage by literally making that heritage their own.\n\n![The latest links in a long line of wooden boatbuilding tradition (Photo: Maritime Museum of the Atlantic).](assets\/National\/blog\/building-boats-changing-lives\/picture6_BfnHfe.png){.overflow}\n\nSecond, and finally, the MMA is building a culture of craftsmanship\u2014one boat and one boatbuilder at a time. It\u2019s a culture that values patience, hard work, the impulse to preserve and honour the past, and good old-fashioned gumption in the face of mistakes.\n\nNova Scotia sailor, boatbuilder, and writer, Silver Donald Cameron once said, \u201cBuilding a boat is a process of thinking, knowing, and doing\u2014of learning and creating, which are the two most important of all human activities. It is not a single big job; it is a thousand little jobs, some of them done over and over and over.\u201d[^note8] The MMA teaches everyone who picks up a hammer or a drill during its program that boatbuilding \u2013 like life \u2013 is just a constant process of fixing our mistakes. While we do not live in an ideal world, we can continue to try and make it one.\n\n[^note1]: The WoodenBoat Show, \u201cFamily Boatbuilding,\u201d WoodenBoat Magazine, accessed May 1, 2020, https:\/\/thewoodenboatshow.com\/family-boatbuilding\/.\n[^note2]: \u201cFutures Handcrafted: About the Apprentice Program,\u201d Alexandria Seaport Foundation, accessed May 1, 2020, https:\/\/alexandriaseaport.org\/apprentice-program\/; \u201cBevin\u2019s Skiff,\u201d Alexandria Seaport Foundation, accessed May 1, 2020, https:\/\/alexandriaseaport.org\/get-engaged\/bevins-skiff\/.\n[^note3]: Some include the Antique Boat Museum in Thousand Islands, New York; the Reedville Fisherman\u2019s Museum in Reedville, Virgina; the Deltaville Maritime Museum in Deltaville, Virginia; the Lewes Historical Society in Lewes, Delaware; TSNE Mission Works in Boston, Massachusetts; the University of New Hampshire in Barrington, New Hampshire; and Eddon Boatyard in Gig Harbour, Washington.\n[^note4]: I helped out with the MMA\u2019s program in 2015 and 2016, helping to build the kits and serving as a small group leader.\n[^note5]: Richard Sennett, The Craftsman (New Haven: Yale University Press, 2008), 9.\n[^note6]: David A. Walker and Wayne Barrett, Small Wooden Boats of the Atlantic (Halifax: Nimbus Publishing, 1990), 10. \n[^note7]: Howard I. Chapelle, American Small Sailing Craft: Their Design, Development, and Construction (New York: W. W. Norton, 1951), 100.\n[^note8]: Silver Donald Cameron, \u201cThe Nine-Year Seminar on Boatbuilding and Life,\u201d in We Belong to the Sea: A Nova Scotia Anthology, ed. Mary Stanton (Halifax, N.S.: Nimbus Publishing, 2001), 88.\n\n\n\n\n\n**This article is part of a special blog series featuring writers and creatives from across Canada with stories that both highlight and celebrate Culture Days\u2019 2020 theme of Unexpected Intersections. Explore more intersections below:**\n\n- Theatre x Sport: [_Until the Lights Go Out_ by Taylor Basso](\/\/www.statestpizza.com\/en\/blog\/until-the-lights-go-out)\n- Indigenous Storytelling x Digital Media: [_\u201cPeople are Finally Listening\u201d\u2013Indigenous Animation Rises Up_ by Chris Robinson](\/\/www.statestpizza.com\/en\/blog\/indigenous-animation-rises-up)\n- Academia x Creativity: [_Building 21: Make zines, not research papers_ by Greta Rainbow](\/\/www.statestpizza.com\/en\/blog\/building-21)\n- Poetry x (Natural) Environment: [_Listen to the River: An Ode to the Columbia River_ by Saba Dar](\/\/www.statestpizza.com\/en\/blog\/listen-to-the-river)\n- Teahouse x Activism: [_Chinatown's Living Room: The gathering place for a budding activist community_ by Anto Chan](\/\/www.statestpizza.com\/en\/blog\/tea-base)\n- Visual Arts x Science: [_What happens when you mix an artist, a scientist and a very bright light?_ by Vivian Orr](\/\/www.statestpizza.com\/en\/blog\/artist-scientist-light)\n- Book Clubs x Digital Landscapes: [_Strangers and Fiction_ by Anne Logan](\/\/www.statestpizza.com\/en\/blog\/strangers-and-fiction)","content_fr":null,"should_publish_at":null,"published_at":"2020-08-05 09:57:42","first_published_at":"2020-06-15 08:59:15","deleted_at":null,"created_at":"2020-06-15 08:40:58","updated_at":"2020-09-29 15:26:05","thumbnail_file_id":null,"featured_at":null,"is_featured":false,"is_published":true,"should_publish":false,"status":"published"}" style="scroll-snap-align: start;">

在大西洋海事博物馆,他们建造的不仅仅是船只

文化日的Aleen Leigh Stanton

2020年8月5日

Tea Base is a curious community arts space tucked away in Tkaronto\/Toronto\u2019s Chinatown Centre Mall. Tea Base aims to make accessible space for intergenerational activists and artists who support social justice movements in and around Chinatown. Tea Base is a space that develops solidarity across marginalized groups through relationships, joy, and collaboration.\n\nOne of the first gatherings held at [Tea Base](https:\/\/www.myteabase.com\/) was a wholesome meal. Hot pot is a shared meal where family and friends prepare a variety of raw ingredients to mingle and cook around in a communal pot of boiling broth. The organizers asked their community to bring ingredients, as if the items themselves were a symbolic gesture for the guidance and insight each person offered. Everyone huddled around the pot, breaking the ice by talking about the food items they brought. Throughout the meal, questions like, \u201cWhat kind of programming do you want to see?\u201d and \u201cWhat are the needs we can use this space to address?\u201d were discussed as bellies filled up. This simple act of sharing and asking questions was the impetus of how Tea Base started and continues to be at the centre of their work.\n\n![Tea Base is a curious community arts space tucked away in Tkaronto\/Toronto\u2019s Chinatown Centre Mall. Photo credit: Jae Ng.](assets\/National\/blog\/tea-base\/mg-9439_bSV5iE.jpeg){.overflow}\n\nTea Base opened in January of 2019 and is predominantly run by queer, non-binary, East Asians. Co-owner\/Co-parent Hannia Cheng jokes, \u201cBeing gay and Asian? That\u2019s unheard of.\" Tea Base has become a hub for East and South-East Asians of all genders and sexualities to not only comfortably express themselves, but to also embrace their cultural roots and relate to their heritage. Hannia explains, \u201cOther than Unit 2, Tea Base is one of the only few DIY spaces left downtown that prioritize queer and racialized artists. The collective response we\u2019ve received shows the need for these types of spaces.\u201d \n\nAs Tea Base grows, they hope to create opportunities for more intergenerational relationships between artists and activists through participatory art-based, social, and cultural programming. Hannia describes the overall vibe as \u201cTake off your shoes, living room energy...\u201d, It\u2019s this intention of making space for people to share their stories and lived experiences that make the space feel so cozy, \u201c...Mahjong Monday is mostly an excuse to hang out once a week. The ideas and collaborations happen organically as a result of fostering trust with each other.\u201d Hannia notes, \u201cWe don\u2019t fit into normative capitalist notions of success, we\u2019re in it for the people.\u201d Most of their events are Pay-What-You-Can and sliding scale. Other in-house programming includes Macrame with Jade, Bitch & Stitch, Tea Base & Chill, Mother Tongue language caf\u00e9s, and even a Chinese fermentation tasting workshop with [Paocai Bio](https:\/\/www.instagram.com\/paocaibio\/?hl=en). \n\n![Mahjong Mondays is by far Tea Base's most popular event. They play and teach from 3-8pm every Monday. Photo credit: Jae Ng.](assets\/National\/blog\/tea-base\/tb-optimized_MLBHh5.png){.overflow}\n\nWith a housing crisis upon the city, it\u2019s becoming evident that affordable spaces are nearly impossible to come by, pushing already marginalized communities further to the outskirts of Toronto. That\u2019s why Tea Base has also grown as a hub for local activism. Chinatown has long been the target of displacement gentrification by condo developers. Co-owner\/Co-parent, Florence Yee, emphasizes the importance of the connections made at Tea Base, \u201cThere\u2019s a larger commonality and interest in doing better for the neighbourhood. Fighting gentrification, all these housing and racial injustices, this young queer politically active space is cultivated well.\u201d Joining a longstanding legacy of Chinatown activist groups, a recent ad-hoc watchdog group, Friends of Chinatown Toronto (FOCT) was formed and is based out of Tea Base. Hannia shares, \u201cChinatown activists have been around forever, we want to learn from them and with them.\u201d \n\nHonouring the existing Chinatown community is part of Tea Base\u2019s mandate. \u201cArt spaces can be inadvertently gentrifying...\u201d says Co-creative Director, Chris Carriere, \u201c...It\u2019s exciting when someone who\u2019s [an] elder visits, or when people bring their kids in. It\u2019s easy for us to get 20-year-olds from the art scene, but when we connect to other generations, the intergenerational conversation shows we can be a space that is open [to all].\u201d In the spring of 2019, with a complete volunteer effort, Tea Base turned what was once a pile of bricks sitting in the mall\u2019s courtyard for 7 years into a garden called \u201cThe Anti-Displacement Rainbow Garden''. The courtyard became a thriving common area for the Kumon kids to play in the garden and for the seniors to play Chinese chess on the stage.\n\nCurrently in its second year of operation, Tea Base wants to leverage their platform to support and amplify other grassroots efforts. Policy Director, Jennifer Chan, offers, \u201cAs East Asians, we\u2019re now established as a diaspora\u2026we faced our challenges to get where we are, and \\[now] we need to lift others up.\u201d They hope to continue getting to know different collectives with an intention to build a truly Pan-Asian community arts ecosystem. \n\n![\u201cRelationships move at the speed of trust. Social movements move at the speed of relationships.\u201d - Jennifer Bailey. Photo credit: Jae Ng.](assets\/National\/blog\/tea-base\/mg-9600_5mk7ID.jpeg){.overflow}\n\nIn the midst of the pandemic, they\u2019ve had to reimagine what community engagement looks like. \u201cA lot of people are very isolated, not just in quarantine...people find stability and friendships at Tea Base \\[that] they can rely on,\" states Florence. Most recently, Tea Base wrapped up their 2020 Spring Camp, a series of four online events that gathered their community together for some quality digital connection, like a knot-making workshop and a town hall for example. They\u2019ve also written up their [Community Guidelines](https:\/\/www.myteabase.com\/community-guidelines) (with consultation from the town hall) for a safer space.\n\nPlans for the future are already in the works. \u201cComing out of Covid, we will need time and help to get things going,\u201d Chris asks for a call to action. Tea Base is open 3-4 times throughout the week with events usually on the weekend. You don\u2019t need to purchase anything to exist at Tea Base, genuine human-to-human conversation is enough. Florence suggests, \u201cJust show up! A lot of what we do is about presence, and being there. The small and big ways.\u201d\n\n[Tea Base](https:\/\/www.myteabase.com\/) updates their hours on a weekly basis every Monday via [Instagram](https:\/\/www.instagram.com\/tea.base\/).\n\n\n\n**This article is part of a special blog series\u2014running March-September\u2014featuring writers and creatives from across Canada with stories that both highlight and celebrate Culture Days\u2019 2020 theme of _Unexpected Intersections_. Explore more intersections below:**\n\n- Theatre x Sport: [_Until the Lights Go Out_ by Taylor Basso](\/\/www.statestpizza.com\/en\/blog\/until-the-lights-go-out)\n- Indigenous Storytelling x Digital Media: [_\u201cPeople are Finally Listening\u201d\u2013Indigenous Animation Rises Up_ by Chris Robinson](\/\/www.statestpizza.com\/en\/blog\/indigenous-animation-rises-up)\n- Academia x Creativity: [_Building 21: Make zines, not research papers_ by Greta Rainbow](\/\/www.statestpizza.com\/en\/blog\/building-21)\n- Poetry x (Natural) Environment: [_Listen to the River: An Ode to the Columbia River_ by Saba Dar](\/\/www.statestpizza.com\/en\/blog\/listen-to-the-river)\n- Traditional Craftsmanship x Youth Outreach: [_At the Maritime Museum of the Atlantic, They Build More Than Boats_ by Aleen Leigh Stanton](\/\/www.statestpizza.com\/en\/blog\/building-boats-changing-lives)\n- Visual Arts x Science: [_What happens when you mix an artist, a scientist and a very bright light?_ by Vivian Orr](\/\/www.statestpizza.com\/en\/blog\/artist-scientist-light)\n- Book Clubs x Digital Landscapes: [_Strangers and Fiction_ by Anne Logan](\/\/www.statestpizza.com\/en\/blog\/strangers-and-fiction)","content_fr":null,"should_publish_at":null,"published_at":"2020-07-21 23:39:37","first_published_at":"2020-06-23 13:25:32","deleted_at":null,"created_at":"2020-06-23 12:41:49","updated_at":"2020-09-29 15:25:53","thumbnail_file_id":null,"featured_at":null,"is_featured":false,"is_published":true,"should_publish":false,"status":"published"}" style="scroll-snap-align: start;">

唐人街的客厅:一个崭露头角的激进分子社区聚集的地方

安徒生为文化日致辞

2020年7月21日

\n\n\n**This article is part of a special blog series\u2014running March-September\u2014featuring writers and creatives from across Canada with stories that both highlight and celebrate Culture Days\u2019 2020 theme of _Unexpected Intersections_. Explore more intersections below:**\n\n- Theatre x Sport: [_Until the Lights Go Out_ by Taylor Basso](\/\/www.statestpizza.com\/en\/blog\/until-the-lights-go-out)\n- Indigenous Storytelling x Digital Media: [_\u201cPeople are Finally Listening\u201d\u2013Indigenous Animation Rises Up_ by Chris Robinson](\/\/www.statestpizza.com\/en\/blog\/indigenous-animation-rises-up)\n- Poetry x (Natural) Environment: [_Listen to the River: An Ode to the Columbia River_ by Saba Dar](\/\/www.statestpizza.com\/en\/blog\/listen-to-the-river)\n- Teahouse x Activism: [_Chinatown\u2019s Living Room: The gathering place for a budding activist community_ by Anto Chan]( \/\/www.statestpizza.com\/en\/blog\/tea-base)\n- Traditional Craftsmanship x Youth Outreach: [_At the Maritime Museum of the Atlantic, They Build More Than Boats_ by Aleen Leigh Stanton](\/\/www.statestpizza.com\/en\/blog\/building-boats-changing-lives)\n- Visual Arts x Science: [_What happens when you mix an artist, a scientist and a very bright light?_ by Vivian Orr](\/\/www.statestpizza.com\/en\/blog\/artist-scientist-light)\n- Book Clubs x Digital Landscapes: [_Strangers and Fiction_ by Anne Logan](\/\/www.statestpizza.com\/en\/blog\/strangers-and-fiction)","content_fr":null,"should_publish_at":null,"published_at":"2020-06-15 09:22:06","first_published_at":"2020-06-04 15:01:52","deleted_at":null,"created_at":"2020-06-04 11:56:37","updated_at":"2020-09-29 15:25:27","thumbnail_file_id":null,"featured_at":null,"is_featured":false,"is_published":true,"should_publish":false,"status":"published"}" style="scroll-snap-align: start;">

21号楼:做杂志,而不是研究论文

文化日的葛丽塔·彩虹

2020年6月15日

在BC激发创造力-第2部分

克里斯汀劳森

2019年7月18日

通过艺术建立心理健康

利亚凉鞋

2019年3月19日

青年、艺术、文化:双赢

佩内洛普·克尔

2013年8月14日